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This study examines the cultural shifts of the 1960s that blurred the lines between sculpture, performance art, and dance. It analyzes the works of George Segal, Allan Kaprow, and Yvonne Rainer, highlighting the evolving relationship between performative and immobile art forms. It offers insights into movement studies and the impact of visual arts on the body.
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The 1960s Body Through Sculptural Movement and Static Dance, Maya Bartel
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- 2008
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