10 libri per 10 euro qui
Bookbot

I Libri di Recitazione

Questa serie si addentra nel profondo mondo della recitazione, offrendo ai lettori approfondimenti sui metodi e sulle filosofie seminali che hanno plasmato il palcoscenico e lo schermo. Esplora le tecniche di maestri la cui influenza riecheggia ancora oggi, fornendo una guida pratica per gli artisti contemporanei. Gli appassionati di teatro e cinema scopriranno una ricca fonte di ispirazione e conoscenza. È una guida essenziale per chiunque cerchi di comprendere l'essenza stessa dell'arte della recitazione.

An Actor's Work
Creating a Role
Building a Character
An Actor Prepares

Ordine di lettura consigliato

  1. 1
  2. 2

    "An Actor must work all his life, cultivate his mind, train his talents systematically, develop his character; he may never despair and never relinquish this main pupose - to love his art with all his strength and love it unselfishly." (Constantin Stanislavski)

    Building a Character
  3. 3

    No-one has had greater influence on acting as we know it than Stanislavski. His 'system' or interpretations of it - has become the central force determining almost every performance we see on stage or screen. His teaching is principally set out in three famous books: An Actor Prepares, Building a Character and Creating a Role. It is still the only comprehensive theory of acting we possess. In the first book, An Actor Prepares, Stanislavski dealt with the inner imaginative processes. In the second Building a Character, he concentrated on the body, the voice and other physical means of expression. In Creating a Role, the third book, he describes the elaborate preparation that precedes actual performance. Creating a Role "describes the elaborate marination that precedes the acutal performance. The analyses of Othello and The Inspector General, which make up Parts Two and Three, show a mind cutting through text like an inspired psneumatic-drill…Altogether Creating a Role is a brilliant little treatise and a careful reading is worth several lessons in almost any English acting academy" (Charles Marowitz, The Observer)

    Creating a Role
  4. 27 The External Creative State in Performance -- 28 General Creative State in Performance -- 29 The 'System' -- Appendices -- Endnotes -- Glossary of Key Terms -- Afterword by Anatoly Smeliansky

    An Actor's Work