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German artist Vera Lutter uses a camera obscura, the most basic photographic device, to produce large-scale, somewhat nostalgic images that transcribe immense architectural spaces. Her process is far removed from our age of digital image manipulation and enlargement. This book presents the first major European exhibition of Lutter's work and covers a wide range of her output, from early photos taken in 1994 in urban New York, to unusual studies of industrial estates such as the Friedrichshafen and Frankfurt Airport series.
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Vera Lutter, inside in, Peter Pakesch
- Lingua
- Pubblicato
- 2004
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- (In brossura)
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