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Native North American theater in a global age

Sites of Identity Construction and Transdifference

Parametri

  • 478pagine
  • 17 ore di lettura

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Indigenous drama is at once the oldest and most innovative, the most heavily displaced and resistant American genre. Despite its increasing international presence over the past two decades, the field has so far been neglected by scholarship. This study seeks to chart the genre, in both the U. S. and Canada, by its contemporary manifestations from 1968 to 2004 and traces its historical entanglements in simulacral images and colonial surveillance. Placing particular emphasis on the fashioning of cultural identity, this approach situates Native theater in the larger framework of transnational methodologies. General questions of theatricality and representation are complemented by in-depth analyses of 25 plays by authors such as Hanay Geiogamah, Monica Charles, Gerald Vizenor, Spiderwoman Theater, Diane Glancy, Margo Kane, Tomson Highway, and Drew Hayden Taylor.

Acquisto del libro

Native North American theater in a global age, Birgit Däwes

Lingua
Pubblicato
2007
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Metodi di pagamento

Titolo
Native North American theater in a global age
Sottotitolo
Sites of Identity Construction and Transdifference
Lingua
Inglese
Pubblicato
2007
Formato
Copertina rigida
Pagine
478
ISBN10
3825352773
ISBN13
9783825352776
Serie
Descrizione
Indigenous drama is at once the oldest and most innovative, the most heavily displaced and resistant American genre. Despite its increasing international presence over the past two decades, the field has so far been neglected by scholarship. This study seeks to chart the genre, in both the U. S. and Canada, by its contemporary manifestations from 1968 to 2004 and traces its historical entanglements in simulacral images and colonial surveillance. Placing particular emphasis on the fashioning of cultural identity, this approach situates Native theater in the larger framework of transnational methodologies. General questions of theatricality and representation are complemented by in-depth analyses of 25 plays by authors such as Hanay Geiogamah, Monica Charles, Gerald Vizenor, Spiderwoman Theater, Diane Glancy, Margo Kane, Tomson Highway, and Drew Hayden Taylor.