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“At the dawn of the new millenium, Thomas Labarthe discovered Jean Dubuffet at the Pompidou Centre. This posthumous encounter, through a retrospective, was ‘like an electric shock, but also a revelation’. Three months later, the young Labarthe painted Mala Bestia, his first canvas. ... Since then, Toma-L has been painting intuitively, freely, on the fringes of the conventions, concentrating on his gut and his technique. With dissolute figures and tense lines and shapes, the painter has created a world of small, restless, turbulent people, drawn in charcoal on paper or canvas. From installations in Tunisia and frenetic book projects in Marseille to self-taught charcoal lithographs and his impulsive exhibitions: in this first monograph, the artist Toma-L and author Théophile Pillault review two decades of unbridled creativity.”--Page 4 of cover
Acquisto del libro
Toma-L: Mala Bestia, Editions Skira Paris
- Lingua
- Pubblicato
- 2024
- product-detail.submit-box.info.binding
- (Copertina rigida)
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- Titolo
- Toma-L: Mala Bestia
- Lingua
- Inglese
- Autori
- Editions Skira Paris
- Editore
- Editions Skira Paris
- Pubblicato
- 2024
- Formato
- Copertina rigida
- ISBN10
- 237074216X
- ISBN13
- 9782370742162
- Serie
- Descrizione
- “At the dawn of the new millenium, Thomas Labarthe discovered Jean Dubuffet at the Pompidou Centre. This posthumous encounter, through a retrospective, was ‘like an electric shock, but also a revelation’. Three months later, the young Labarthe painted Mala Bestia, his first canvas. ... Since then, Toma-L has been painting intuitively, freely, on the fringes of the conventions, concentrating on his gut and his technique. With dissolute figures and tense lines and shapes, the painter has created a world of small, restless, turbulent people, drawn in charcoal on paper or canvas. From installations in Tunisia and frenetic book projects in Marseille to self-taught charcoal lithographs and his impulsive exhibitions: in this first monograph, the artist Toma-L and author Théophile Pillault review two decades of unbridled creativity.”--Page 4 of cover