Parametri
- 159pagine
- 6 ore di lettura
Maggiori informazioni sul libro
The renowned sculptor Peter Buggenhout (b. 1963, Dendermonde, Belgium; lives and works in Ghent) describes his hybrid pieces as ?abject things? that defy classification and even the label ?work of art.? He aggregates and manipulates found and discarded objects as well as both technical and organic materials including pig blood, cow stomachs, and horsehair until he achieves a certain degree of abstraction. Buggenhout?s sculptures confront the beholder as creatures that are somehow ?off,? exuding an eerie atmosphere by allowing something sinister to rise to the surface that, it appears, lurks just behind the façades of the physical world: vestiges of humanity, society?s sedimented refuse. The book presents a comprehensive survey of his growing oeuvre; it is the first publication to cover his most recent creations in marble.
Acquisto del libro
Peter Buggenhout, Ory Dessau
- Lingua
- Pubblicato
- 2021
Metodi di pagamento
Ancora nessuna valutazione.
- Titolo
- Peter Buggenhout
- Sottotitolo
- Nicht geheuer
- Lingua
- Inglese, Tedesco
- Autori
- Ory Dessau
- Editore
- Dr. Cantz'sche Verlagsges
- Pubblicato
- 2021
- Pagine
- 159
- ISBN10
- 3947563930
- ISBN13
- 9783947563937
- Serie
- Descrizione
- The renowned sculptor Peter Buggenhout (b. 1963, Dendermonde, Belgium; lives and works in Ghent) describes his hybrid pieces as ?abject things? that defy classification and even the label ?work of art.? He aggregates and manipulates found and discarded objects as well as both technical and organic materials including pig blood, cow stomachs, and horsehair until he achieves a certain degree of abstraction. Buggenhout?s sculptures confront the beholder as creatures that are somehow ?off,? exuding an eerie atmosphere by allowing something sinister to rise to the surface that, it appears, lurks just behind the façades of the physical world: vestiges of humanity, society?s sedimented refuse. The book presents a comprehensive survey of his growing oeuvre; it is the first publication to cover his most recent creations in marble.