Maggiori informazioni sul libro
This is the first volume of a symposium-based series organized by the Southern California Consortium of Art Schools [SoCCAS]. * * Set out in four sections, with a series introduction by SoCCAS chair John C. Welchman, and a topical introduction by cultural critic Norman Klein, it offers a creative and original overview of the Southern Californian art scene from 1990 to the present. * * „Inside“ examines new initiatives from within the institutional or commercial sectors of the art world; „Outside“ discusses developments situated outside of this more sanctioned sphere, whether in alternative spaces, art/music crossovers, or the public domain; „New Locations“ takes on innovative art-related activities in sites, such as the Southern California deserts and San Diego-Tijuana border that are relatively remote from the culturally dominant LA basin; „Endpapers“ rounds out the book with short presentations by five artists and critics whose independent thinking and constructively targeted polemic has helped shape art-world discourse in Southern California in recent years.
Acquisto del libro
Recent Pasts, John C. Welchman
- Lingua
- Pubblicato
- 2005
- product-detail.submit-box.info.binding
- (In brossura)
Metodi di pagamento
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- Titolo
- Recent Pasts
- Lingua
- Inglese
- Autori
- John C. Welchman
- Pubblicato
- 2005
- Formato
- In brossura
- ISBN10
- 3905701200
- ISBN13
- 9783905701203
- Serie
- Descrizione
- This is the first volume of a symposium-based series organized by the Southern California Consortium of Art Schools [SoCCAS]. * * Set out in four sections, with a series introduction by SoCCAS chair John C. Welchman, and a topical introduction by cultural critic Norman Klein, it offers a creative and original overview of the Southern Californian art scene from 1990 to the present. * * „Inside“ examines new initiatives from within the institutional or commercial sectors of the art world; „Outside“ discusses developments situated outside of this more sanctioned sphere, whether in alternative spaces, art/music crossovers, or the public domain; „New Locations“ takes on innovative art-related activities in sites, such as the Southern California deserts and San Diego-Tijuana border that are relatively remote from the culturally dominant LA basin; „Endpapers“ rounds out the book with short presentations by five artists and critics whose independent thinking and constructively targeted polemic has helped shape art-world discourse in Southern California in recent years.