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Alter-Nations

Nationalisms, Terror, and the State in Nineteenth-Century Britain and Ireland

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Alter-Nations: Nationalisms, Terror, and the State in Nineteenth-Century Britain and Ireland explores the intricate relationship between British imperial nationalism and Irish anticolonial nationalism through Victorian cultural production. This study redefines the history of modern nationhood in Britain and Ireland, utilizing an archive that includes political theory, polemical prose, novels, political cartoons, memoirs, and newspapers. Amy E. Martin highlights the significance of Irish anticolonial nationalism in Victorian culture, offering a fresh perspective on concepts like “nationalism,” “terror,” and “the state.” The analysis reveals how narratives of Irish immigration, racial difference, and violence became central to the capitalist national crisis in nineteenth-century Britain. The 1860s visual culture and newspaper writings mark the emergence of the modern concept of “terrorism” as irrational, racialized anticolonial violence. This ideology parallels Victorian theories of the modern hegemonic state, which rationalize the state's monopoly on violence as anti-terrorist. Concurrently, Irish Fenian writings present an anticolonial critique that foreshadows postcolonial studies, reimagining the relationship between anticolonialism, modernity, and state forms. Ultimately, the work asserts the importance of Irish studies within postcolonial and Victorian studies, challenging and redefining the boundaries of these fields.

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Alter-Nations, Amy E. Martin

Lingua
Pubblicato
2012
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(Copertina rigida),
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7,99 €

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Titolo
Alter-Nations
Sottotitolo
Nationalisms, Terror, and the State in Nineteenth-Century Britain and Ireland
Lingua
Inglese
Pubblicato
2012
Formato
Copertina rigida
Pagine
264
ISBN10
0814212026
ISBN13
9780814212028
Serie
Valutazione
4 su 5
Descrizione
Alter-Nations: Nationalisms, Terror, and the State in Nineteenth-Century Britain and Ireland explores the intricate relationship between British imperial nationalism and Irish anticolonial nationalism through Victorian cultural production. This study redefines the history of modern nationhood in Britain and Ireland, utilizing an archive that includes political theory, polemical prose, novels, political cartoons, memoirs, and newspapers. Amy E. Martin highlights the significance of Irish anticolonial nationalism in Victorian culture, offering a fresh perspective on concepts like “nationalism,” “terror,” and “the state.” The analysis reveals how narratives of Irish immigration, racial difference, and violence became central to the capitalist national crisis in nineteenth-century Britain. The 1860s visual culture and newspaper writings mark the emergence of the modern concept of “terrorism” as irrational, racialized anticolonial violence. This ideology parallels Victorian theories of the modern hegemonic state, which rationalize the state's monopoly on violence as anti-terrorist. Concurrently, Irish Fenian writings present an anticolonial critique that foreshadows postcolonial studies, reimagining the relationship between anticolonialism, modernity, and state forms. Ultimately, the work asserts the importance of Irish studies within postcolonial and Victorian studies, challenging and redefining the boundaries of these fields.