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Asmara

The Frozen City

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  • 96pagine
  • 4 ore di lettura

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The Northeastern African nation of Eritrea spent much of the early twentieth century as a colony of Italy, and more recently shook off another invader, Ethiopia. Its capital city, which dates back more than 700 years, exploded into life and growth with the arrival of Italian colonists in the 1930s, and then stagnated under Ethiopian rule. The surprising result is a living museum of Italian "Nuova Architettura," where decorative smokestacks tower over street markets and portholes look out onto bicycle traffic. Futuristic, monumentalist, rationalist and cubist work is not just preserved, but dominant on the skyline. Here, photographer Stefan Boness frames private, public and industrial buildings to incorporate their sometimes jarring contemporary African surroundings. He succeeds in conveying the unique atmosphere of a city where architectural time has, in some pockets, stood still. An essay on the city complements extensive illustrations.

Acquisto del libro

Asmara, Jochen Visscher, Stefan Boness

Lingua
Pubblicato
2006
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(Copertina rigida),
Condizioni del libro
In ottime condizioni
Prezzo
28,49 €

Metodi di pagamento

Titolo
Asmara
Sottotitolo
The Frozen City
Editore
Jovis
Pubblicato
2006
Formato
Copertina rigida
Pagine
96
ISBN10
3936314616
ISBN13
9783936314618
Serie
Descrizione
The Northeastern African nation of Eritrea spent much of the early twentieth century as a colony of Italy, and more recently shook off another invader, Ethiopia. Its capital city, which dates back more than 700 years, exploded into life and growth with the arrival of Italian colonists in the 1930s, and then stagnated under Ethiopian rule. The surprising result is a living museum of Italian "Nuova Architettura," where decorative smokestacks tower over street markets and portholes look out onto bicycle traffic. Futuristic, monumentalist, rationalist and cubist work is not just preserved, but dominant on the skyline. Here, photographer Stefan Boness frames private, public and industrial buildings to incorporate their sometimes jarring contemporary African surroundings. He succeeds in conveying the unique atmosphere of a city where architectural time has, in some pockets, stood still. An essay on the city complements extensive illustrations.