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Hiding Man

A Biography of Donald Barthelme

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  • 581pagine
  • 21 ore di lettura

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A "NEW YORK TIMES BOOK REVIEW" EDITORS' CHOICE During his fifty-eight-year lifetime Donald Barthelme published more than one hundred short stories in The New Yorker and authored sixteen books. He was a contemporary and friend of Kurt Vonnegut, Thomas Pynchon, Susan Sontag, and Norman Mailer, and has received recent tributes from Dave Eggers and George Saunders. He had a volatile private life and his search for a place in American letters took him across the country, briefly to Denmark, and through a host of occupations. When he wasn't hiding, he was passionately searching and living. Barthelme's writing is a found-art-style mix of pop culture and high literature that is surprisingly funny and playful. This "excellent biography" ("The New Yorker") "pursue[s] Barthelme's art to its shuddering core. . . . The enthusiasm is catching" ("The Wall Street Journal").

Acquisto del libro

Hiding Man, Tracy Daugherty

Lingua
Pubblicato
2010
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(In brossura),
Condizioni del libro
Danneggiato
Prezzo
16,30 €

Metodi di pagamento

Titolo
Hiding Man
Sottotitolo
A Biography of Donald Barthelme
Lingua
Inglese
Editore
Picador
Pubblicato
2010
Formato
In brossura
Pagine
581
ISBN10
0312429304
ISBN13
9780312429300
Serie
Descrizione
A "NEW YORK TIMES BOOK REVIEW" EDITORS' CHOICE During his fifty-eight-year lifetime Donald Barthelme published more than one hundred short stories in The New Yorker and authored sixteen books. He was a contemporary and friend of Kurt Vonnegut, Thomas Pynchon, Susan Sontag, and Norman Mailer, and has received recent tributes from Dave Eggers and George Saunders. He had a volatile private life and his search for a place in American letters took him across the country, briefly to Denmark, and through a host of occupations. When he wasn't hiding, he was passionately searching and living. Barthelme's writing is a found-art-style mix of pop culture and high literature that is surprisingly funny and playful. This "excellent biography" ("The New Yorker") "pursue[s] Barthelme's art to its shuddering core. . . . The enthusiasm is catching" ("The Wall Street Journal").