Hiding Man
A Biography of Donald Barthelme
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A "NEW YORK TIMES BOOK REVIEW" EDITORS' CHOICE During his fifty-eight-year lifetime Donald Barthelme published more than one hundred short stories in The New Yorker and authored sixteen books. He was a contemporary and friend of Kurt Vonnegut, Thomas Pynchon, Susan Sontag, and Norman Mailer, and has received recent tributes from Dave Eggers and George Saunders. He had a volatile private life and his search for a place in American letters took him across the country, briefly to Denmark, and through a host of occupations. When he wasn't hiding, he was passionately searching and living. Barthelme's writing is a found-art-style mix of pop culture and high literature that is surprisingly funny and playful. This "excellent biography" ("The New Yorker") "pursue[s] Barthelme's art to its shuddering core. . . . The enthusiasm is catching" ("The Wall Street Journal").
Acquisto del libro
Hiding Man, Tracy Daugherty
- Lingua
- Pubblicato
- 2010
- Rilegatura
- (In brossura)
Metodi di pagamento
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- Titolo
- Hiding Man
- Sottotitolo
- A Biography of Donald Barthelme
- Lingua
- Inglese
- Autori
- Tracy Daugherty
- Editore
- Picador
- Pubblicato
- 2010
- Formato
- In brossura
- Pagine
- 581
- ISBN10
- 0312429304
- ISBN13
- 9780312429300
- Serie
- Descrizione
- A "NEW YORK TIMES BOOK REVIEW" EDITORS' CHOICE During his fifty-eight-year lifetime Donald Barthelme published more than one hundred short stories in The New Yorker and authored sixteen books. He was a contemporary and friend of Kurt Vonnegut, Thomas Pynchon, Susan Sontag, and Norman Mailer, and has received recent tributes from Dave Eggers and George Saunders. He had a volatile private life and his search for a place in American letters took him across the country, briefly to Denmark, and through a host of occupations. When he wasn't hiding, he was passionately searching and living. Barthelme's writing is a found-art-style mix of pop culture and high literature that is surprisingly funny and playful. This "excellent biography" ("The New Yorker") "pursue[s] Barthelme's art to its shuddering core. . . . The enthusiasm is catching" ("The Wall Street Journal").