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Venice Illuminated

Power and Painting in Renaissance Manuscripts

Parametri

  • 400pagine
  • 14 ore di lettura

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For patricians in the Republic of Venice, paintings in manuscripts marking their appointment to high office expressed a tension between selfless service and individual ambition. Originally of value in confirming and instructing an elected officer, these unique documents were transformed through art into enduring monuments promoting state ideals, individual status, and family memory. This book introduces the reader to a long-hidden world of beautiful and complex images, and to tales of personal sacrifice, political maneuvering, and family intrigue. Analysis of these small paintings within books opens up new perspectives on canonical works by such artists as Giovanni Bellini, Titian, and Veronese, as well as on tomb sculptures and public memorials. Extensive original material on artistic patronage in Venice and its territories abroad encourages an expanded understanding of art in the service of the state and of Venice as empire.

Acquisto del libro

Venice Illuminated, Helena Katalin Szépe

Lingua
Pubblicato
2018
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(Copertina rigida),
Condizioni del libro
In ottime condizioni
Prezzo
41,99 €

Metodi di pagamento

Titolo
Venice Illuminated
Sottotitolo
Power and Painting in Renaissance Manuscripts
Lingua
Inglese
Pubblicato
2018
Formato
Copertina rigida
Pagine
400
ISBN10
0300226748
ISBN13
9780300226744
Serie
Descrizione
For patricians in the Republic of Venice, paintings in manuscripts marking their appointment to high office expressed a tension between selfless service and individual ambition. Originally of value in confirming and instructing an elected officer, these unique documents were transformed through art into enduring monuments promoting state ideals, individual status, and family memory. This book introduces the reader to a long-hidden world of beautiful and complex images, and to tales of personal sacrifice, political maneuvering, and family intrigue. Analysis of these small paintings within books opens up new perspectives on canonical works by such artists as Giovanni Bellini, Titian, and Veronese, as well as on tomb sculptures and public memorials. Extensive original material on artistic patronage in Venice and its territories abroad encourages an expanded understanding of art in the service of the state and of Venice as empire.