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Ex Ponto; Nemiri; Lirika

Nemiri ; Lirika

Parametri

  • 255pagine
  • 9 ore di lettura

Maggiori informazioni sul libro

Andrić’s first published works were poems, and he continued to write verse throughout his life, much of which remained unpublished until after his death. His early poems emerged within the Young Bosnia movement, contrasting the vibrant personalities of its members with a more somber literary output. The tone of Andrić's pre-WWI poetry aligns closely with that of his contemporaries, yet his role as a political activist felt fundamentally mismatched to his nature. Instead, his prevailing melancholy resonated with his view of the world. These early poems establish a free verse form and reveal a tendency towards mournful self-pity. The prose poems written during the War serve as personal confessions rather than mere literary reflections. “Ex Ponto,” published in 1918, and “Unrest,” from 1920, were later excluded from his collections, as Andrić deemed them too intimate. Nonetheless, they are significant for the ideas and themes that recur in his later works. While the emotional intensity of his later prose and verse is less pronounced, the form—combining aphoristic statements with reflective passages—remains. “Ex Ponto” and “Unrest” capture his emotional responses to his early life and explore the central paradox of his personality and oeuvre.

Acquisto del libro

Ex Ponto; Nemiri; Lirika, Ivo Andrić

Lingua
Pubblicato
2003
Rilegatura
(Copertina rigida)
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Titolo
Ex Ponto; Nemiri; Lirika
Sottotitolo
Nemiri ; Lirika
Editore
Konzor
Pubblicato
2003
Formato
Copertina rigida
Pagine
255
ISBN10
9532240284
ISBN13
9789532240283
Serie
Descrizione
Andrić’s first published works were poems, and he continued to write verse throughout his life, much of which remained unpublished until after his death. His early poems emerged within the Young Bosnia movement, contrasting the vibrant personalities of its members with a more somber literary output. The tone of Andrić's pre-WWI poetry aligns closely with that of his contemporaries, yet his role as a political activist felt fundamentally mismatched to his nature. Instead, his prevailing melancholy resonated with his view of the world. These early poems establish a free verse form and reveal a tendency towards mournful self-pity. The prose poems written during the War serve as personal confessions rather than mere literary reflections. “Ex Ponto,” published in 1918, and “Unrest,” from 1920, were later excluded from his collections, as Andrić deemed them too intimate. Nonetheless, they are significant for the ideas and themes that recur in his later works. While the emotional intensity of his later prose and verse is less pronounced, the form—combining aphoristic statements with reflective passages—remains. “Ex Ponto” and “Unrest” capture his emotional responses to his early life and explore the central paradox of his personality and oeuvre.