Froukje Slofstra Libri

«Il libro segue con ottocentesca, tolstojana generosità molteplici destini individuali spostandosi da Stalingrado (città doppia: simbolo di difesa e libertà contro la violenza nazista e insieme luogo-emblema dell’Urss staliniana; solo nella “casa di Grekov” si vive secondo onore e senza gerarchie) ai lager sovietici e ai mattatoi nazisti, da Mosca (le stanze del potere, le celle della Lubjanka) alla provincia russa. E raccontando la “crudele verità” della guerra, le storie intrecciate di eroi e traditori, automi di partito ed esseri pensanti, delatori, burocrati, intriganti, carnefici, martiri, personaggi fittizi e reali, inframmezzando la narrazione con numerosi dialoghi (di ascendenza, questi, dostoevskiana), Grossman continua a interrogarsi sull’essenza di sistemi che uccidono la realtà – di conseguenza anche gli uomini – falsificandola, sostituendola con l’Idea. Al posticcio e menzognero “bene” di Stato lo scrittore può opporre soltanto, per quanto ardua e apparentemente impossibile in tempi disumani, la bontà individuale, rivendicando – sommessamente, ma con tenacia – l’irripetibilità del singolo destino umano. Giacché “Ciò che è vivo non ha copie ... E dove la violenza cerca di cancellare varietà e differenze, la vita si spegne”». Serena Vitale

Between April 20th and June 22nd of 1945 the anonymous author of A Woman in Berlin wrote about life within the falling city as it was sacked by the Russian Army. Fending off the boredom and deprivation of hiding, the author records her experiences, observations and meditations in this stark and vivid diary. Accounts of the bombing, the rapes, the rationing of food and the overwhelming terror of death are rendered in the dispassionate, though determinedly optimistic prose of a woman fighting for survival amidst the horror and inhumanity of war. This diary was first published in America in 1954 in an English translation and in Britain in 1955. A German language edition was published five years later in Geneva and was met with tremendous controversy. In 2003, over forty years later, it was republished in Germany to critical acclaim - and more controversy. This diary has been unavailable since the 1960s and is now newly translated into English. A Woman in Berlin is an astonishing and deeply affecting account.

'Er is geen naam voor wat ik voel als ik aan je denk, het is meer een onophoudelijk zingen in mijn hart.' Een man schrijft een roerende liefdesbrief aan zijn vrouw, maar de brief is geschreven door een vrouw, in opdracht van de man. Ze schrijft alles voor hem, zakelijke en intieme brieven, krantenartikelen, een dik boek vol interviews met beroemdheden. De man houdt van zijden kostuums en felgekleurde stropdassen, zijn ego is mateloos. Hij eist alles van zijn ghostwriter, uiteindelijk zelfs een roman: één man, twee vrouwen, het aloude verhaal, maar wel pakkend graag. De ghostwriter heeft drie kinderen, geen ander inkomen, het huis moet afbetaald en ze gaat akkoord.

When a young woman dies peacefully in her sleep, her husband sits distraught at her side. Returning to his job at the Finland CID he finds that a murder inquiry is just beginning. A woman has been smothered while she slept and, as the case unfolds, others will be found having met death in the same eerily tranquil way.