Mary M. Talbot Ordine dei libri (cronologico)

Since its first publication in 1998, Mary Talbot’s Language and Gender has been a leading textbook, popular with students for its accessibility and with teachers for the range and depth it achieves in a single volume. This anticipated third edition has been thoroughly revised and updated for the era of #MeToo, genderqueer, Trump, and cyberhate. The book is organized into three parts. An introductory section provides grounding in early ‘classic' studies in the field. In the second section, Talbot examines language used by women and men in a variety of speech situations and genres. The last section considers the construction and performance of gender in discourse, reflecting the interest in mass media and popular culture found in recent research, as well as the preoccupation with social change that is central to Critical Discourse Analysis. Maintaining an emphasis on recent research, Talbot covers a range of approaches at an introductory level, lucidly presenting sometimes difficult and complex issues. Each chapter concludes with a list of recommended readings, enabling students to further their interests in various topics. Language and Gender will continue to be an essential textbook for undergraduates and postgraduates in linguistics, sociolinguistics, cultural and media studies, gender studies and communication studies.

Sally hat sich nie besonders für Politik interessiert. Die Gruppierung um Emmeline Pankhurst verfolgt das Dienstmädchen jedoch mit wachsendem Interesse. Schließlich schließt sie sich den Suffragetten an, die für das Frauenwahlrecht kämpfen. Demonstrationen, Schlägereien und Inhaftierungen sind an der Tagesordnung, doch die Regierung nimmt die Frauen nicht ernst. Sally erkennt, dass andere Mittel nötig sind, um etwas zu bewirken. Eine historisch minutiös recherchierte Graphic Novel, die den Leser tief eintauchen lässt in das British Empire vor dem Ersten Weltkrieg.

Part personal history, part biography, Dotter of Her Father's Eyes contrasts two coming-of-age narratives- that of Lucia, the daughter of James Joyce, and that of author Mary Talbot, daughter of the eminent Joycean scholar James S. Atherton. Social expectations and gender politics, thwarted ambitions and personal tragedy are played out against two contrasting historical backgrounds, poignantly evoked by the atmospheric visual storytelling of award winning comic artist and graphic novel pioneer Bryan Talbot. Produced through an intense collaboration seldom seen between writers and artists, Dotter of Her Father's Eyes is intelligent, funny and sad - a fine addition to the evolving genre of graphic memoir.