David Hanan Libri

Indonesian cinema is examined through its creative evolution, highlighting significant yet underrepresented aspects of the country's society. The book begins with the neorealist films of the 1950s, reflecting the struggle for independence. It analyzes political allegories across various regimes, including Sukarno and Suharto, and explores portrayals of Islam in both mainstream and auteur films. It also celebrates the work of comedian Benyamin S and critiques Third World issues in experimental features. The final chapter focuses on innovations in post-Suharto cinema, spotlighting women writer-directors.