John Fletcher fu tra i drammaturghi più prolifici e influenti della sua epoca, la cui fama in vita e fino al primo periodo della Restaurazione rivaleggiava con quella di Shakespeare. La sua carriera iniziale fu segnata da una significativa collaborazione con Francis Beaumont, con cui lavorò per quasi un decennio. Fletcher rimane una figura di transizione importante, che collega la tradizione popolare elisabettiana al dramma della Restaurazione. La sua voce distintiva e la sua prolifica produzione hanno plasmato in modo significativo la direzione del teatro.
Set in ancient Egypt, this gripping tragedy explores the intricate dynamics of power and betrayal, highlighting the often devastating consequences of ambition. The narrative weaves a tale of complex characters navigating political intrigue and personal desires, ultimately revealing the darker aspects of human nature.
John Fletcher, a prominent Jacobean playwright, succeeded William Shakespeare as the house playwright for the King's Men and was a significant figure in early 17th-century drama. His prolific output and collaborations with Francis Beaumont and Shakespeare positioned him as a rival to Shakespeare during his lifetime. Although his fame has diminished over time, Fletcher is recognized as a crucial transitional figure bridging the Elizabethan and Restoration theatrical traditions, influencing the evolution of popular drama.
John Fletcher was a prominent Jacobean playwright known for his prolific output and influence, rivaling even Shakespeare during his lifetime. He served as the house playwright for the King's Men and collaborated with both Francis Beaumont and Shakespeare on several works. Fletcher's contributions mark a significant transitional phase in English drama, bridging the Elizabethan era and the Restoration period, despite his subsequent decline in popularity. His legacy remains vital in understanding the evolution of theatrical traditions.
A multi-stranded historical epic set in China in 1937, when Wuhan stood alone against a whirlwind of war and violence.
John Fletcher began his railway career at the age of 15 at Lostock Hall loco shed near Preston in 1962. He soon progressed to became a fireman, working around the shed and on the footplate in the twilight years of steam in the North of England.
Alžbětinská komedie, jejíž autorství je připisováno vedle Williama Shakespeara i jeho současníkovi, dramatiku Johnu Fletcherovi. Vyšlo v rámci edice Souborné dílo Williama Shakespeara v překladu Martina Hilského, v souboru s dalšími třemi svazky: Kupec benátský, Něco za něco a Dobrý konec všechno spraví.
In a changing and turbulent environment for tourism, Tourism - Principles and Practice offers the reader the fundamental and underlying principles with which to approach the study of tourism, contributing a complete framework that effectively integrates theory and practice. The text has been updated to take into account developments such as growing concern for climate change and the maturing response of tourism to the safety and security of tourists.
Eine ergreifende Familiensaga vom roten Kontinent Die Familie Warren war jahrzehntelang entzweit – nie hatten der verbitterte Hedley und sein Bruder Wilf den Zwist über ihren Landbesitz beilegen können. Auch ihre Nachkommen sind sich nur im Streit begegnet, und die Kluft schien unüberbrückbar. Nun liegt Hedley im Sterben. Die Frage, wer das Land erben soll, lässt die Familie von nah und fern anreisen – im Gepäck all die enttäuschten Hoffnungen, Schmerzen und derWunsch nach Liebe …
Mein Herz ist für immer am anderen Ende des Meeres. Im letzten Jahr des 19. jahrhunderts erlebt die junge Anneliese in Südafrika den Krieg zwischen Buren und Engländern und verliert alles, was sie hat. Sie flieht nach Australien, doch vergessen kann sie ihre Heimat nicht. Jahrzehnte später muss ihre Urenkelin Anna schwören, dass sie das Andenken an den Familiensitz Oudekraal für immer bewahren wird. Hundert Jahre nach Annelieses Reise macht sich Anna auf den Weg zurück …
Eine Geschichte so weit wie Australien Sydney, um 1835: Lorna und ihr Mann Andrew kommen nach 120 Tagen auf See in Australien an. Die beiden ziehen Richtung Süden nach New South Wales, dort, wo es noch freies Land gibt, das derjenige in Besitz nehmen kann, der als erstes ankommt. Doch dann überfallen Bushranger sie und nehmen Lorna als Geisel …
Mogelijk laatste toneelstuk van Shakespeare (1564-1616) over de vergeefse liefde van een tiran voor een mooie jonkvrouw, met vertaling en toelichting.
This book, first published in 1985, stresses Beckett's success as an innovator in the theatre through a close reading and analysis of his plays. 'Their analysis is clever yet level-headed, readable but does not shirk complexities.' (TES). 'Brilliant collection of essays on Beckett and his works.' (Irish Times)
A critical analysis of Samuel Beckett's plays, including Waiting for Godot and Endgame, for students and general readers
Offering a vibrant and engaging exploration of Beckett's theatre, this book delves into the unique elements of his plays, highlighting their innovative structure and profound themes. It provides readers with insights into the complexities of his characters and the existential questions they grapple with, making it an essential resource for both newcomers and seasoned fans of Beckett's work. The lively approach invites a deeper understanding of his contributions to modern drama.
