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Yuri Herrera

    Yuri Herrera è una voce distintiva nella letteratura contemporanea, noto per la sua profonda esplorazione di temi sociali e identità culturale. Le sue opere, frequentemente tradotte in inglese, hanno ottenuto un notevole riconoscimento per il loro approccio stilistico unico. Herrera impiega un linguaggio che è allo stesso tempo poetico e crudo, addentrandosi nelle complessità dell'esperienza umana e dell'esperienza messicano-americana. La sua capacità di cogliere narrazioni sfumate lo rende un autore avvincente le cui opere risuonano profondamente nei lettori.

    Ten Planets
    The Transmigration of Bodies
    Three Novels: Kingdom Cons, Signs Preceding the End of the World, The Transmigration of Bodies
    • "The Mexico we hear of in the news--the drug cartels, migration and senseless violence--is rich soil for Herrera's moving stories of people who live in this reality but also live in the timeless realm of myth, epic and fairy tale, such as the singer Lobo in Kingdom Cons who loves the drug lord's own daughter, Makina who crosses borders to find her brother in Signs Preceding the End of the World, and the Redeemer, a hard-boiled hero looking to broker peace between feuding families during a pandemic in The Transmigration of Bodies.These three novels get to the heart of the matter in a truly original way. They are storytelling that is at once timely and timeless." --Amazon.com

      Three Novels: Kingdom Cons, Signs Preceding the End of the World, The Transmigration of Bodies
      3,8
    • The Transmigration of Bodies

      • 101pagine
      • 4 ore di lettura

      "The things people inscribe on tombstones, even if only with their breath--erasing those things is what the Redeemer's there for."

      The Transmigration of Bodies
      3,7
    • A collection of fanciful, philosophical science fictions by “one of Mexico’s finest novelists” (Vulture). The characters that populate Yuri Herrera’s surprising new story collection inhabit imagined futures that reveal the strangeness and instability of the present. Drawing on science fiction, noir, and the philosophical parables of Jorge Luis Borges’s Fictions and Italo Calvino’s Cosmicomics, these very short stories are an inspired extension of this significant writer’s work. In Ten Planets, objects can be sentient and might rebel against the unhappy human family to which they are attached. A detective of sorts finds clues to buried secrets by studying the noses of his clients, which he insists are covert maps. A meager bacterium in a human intestine gains consciousness when a psychotropic drug is ingested. Monsters and aliens abound, but in the fiction of Yuri Herrera, knowing who is the monster and who the alien is a tricky proposition. In Ten Planets, Herrera’s consistent themes—the mutability of borders, the wounds and legacy of colonial violence, and a deep love of storytelling in all its forms—are explored with evident brilliance and delight.

      Ten Planets
      3,6