Paul Micou è un romanziere americano la cui opera esplora le complessità delle relazioni umane e la ricerca dell'identità in diversi paesaggi culturali. Le sue narrazioni si intrecciano spesso tra situazioni apparentemente ordinarie e domande profondamente esistenziali, offrendo ai lettori esperienze coinvolgenti e stimolanti. Con un occhio attento ai dettagli e alla profondità psicologica, crea personaggi con una comprensione sfumata delle loro vite interiori e delle pressioni esterne che affrontano. La sua prosa è caratterizzata dalla sua eleganza e dalla sua capacità di cogliere le sottili sfumature della condizione umana.
The book serves as a facsimile reprint of a scarce antiquarian work, preserving its historical significance. Readers may encounter imperfections like marks and notations due to its age. The publisher emphasizes the cultural importance of this title, reflecting a commitment to protect and promote literature through high-quality, affordable editions that maintain the integrity of the original text.
Exploring themes of identity and societal expectations, the narrative delves into the complexities of being heterosexual in a world that often challenges traditional norms. The protagonist navigates personal relationships and societal pressures, revealing the struggles and misconceptions faced in their journey. With a blend of humor and introspection, the story offers a unique perspective on love, belonging, and the quest for self-acceptance amidst a backdrop of diverse sexual orientations.
Summoned back to the seaside town of his birth after an absence of several years, Matthew Richmond is disturbed to find that the town has been given over entirely to the Word, a simplistic modern religion founded by his Uncle Ian.
Pierre Marie La Valoise is incensed. He has just read with disbelief what he considers to be a criminally unfair biography of David Debrizzi, the renowned French concert pianist. Resting comfortably on the terrace of a Swiss sanatorium, La Valoise takes a pen in hand to rebut Sir Geoffrey's Life. He weeds through its distortions and omissions, its exaggerations and personal attacks, and supplies the version of the truth that he intended to incorporate into his own biography, The Death of David Debrizzi. 'Never have I begrudged you your Life,' writes La Valoise, 'any more than you would deny me my Death... Given the state of my health, and the treachery of my bastard of a British publisher - who loathes me merely because I am French - I feel it is safe to say that your Life will stand alone on the shelves for posterity, while my Death will remain untold.' Paul Micou's third novel at last gives La Valoise his say.