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Teru Miyamoto

    Teru Miyamoto è un autore giapponese la cui opera spesso approfondisce la vulnerabilità dello spirito umano e la fragilità delle relazioni. I suoi romanzi esplorano emozioni profonde e dinamiche interpersonali complesse con un acuto senso del dettaglio e un'atmosfera suggestiva. La prosa di Miyamoto si distingue per il suo stile lirico e la sua capacità di catturare le sottili sfumature dell'esperienza umana. La sua scrittura risuona nei lettori per la sua sincerità e le sue profonde intuizioni sulla psiche umana.

    流転の海 - 2: 地の星
    新潮文庫: 流転の海
    流転の海 - 3: 血脈の火
    草原の椅子
    Inhabitation
    • Inhabitation

      • 320pagine
      • 12 ore di lettura

      A living lizard nailed to a pillar and a young man bound by a family misfortune—a tale that poses questions about life, death, and karma by one of Japan's most beloved living writers In 1970s Osaka, college student Tetsuyuki moves into a shabby apartment to evade his late father’s creditors. But the apartment’s electricity hasn’t been reconnected yet, and Tetsuyuki spends his first night in darkness. Wanting to hang up a tennis cap from his girlfriend, Yōko, he fumbles about in the dark and drives a nail into a pillar. The next day he discovers that he has pierced the body of a lizard, which is still alive. He decides to keep it alive, giving it food and water and naming it Kin. Inhabitation unfolds from there, following the complications in Tetsuyuki’s relationship with Yōko, a friendship with his supervisor who hides his heart disease at work, and his father’s creditors, always close on his heels. Daunted, Tetsuyuki speaks to Kin night after night, and Kin’s peculiarly tortured situation reflects the mingled pain, love, and guilt that infuses Tetsuyuki’s human relationships. "Those who read this novel even once will never forget Tetsuyuki's intensity. I am one of them. Vulnerable, vigorous, the raw sparkle of youth burning with agony. The entire story is crystallized in the image of Kin–chan, who wants to move but can't. Brilliant is the only word to describe Inhabitation." —Banana Yoshimoto, author of Moshi Moshi

      Inhabitation
      3,9
    • 草原の椅子

      • 393pagine
      • 14 ore di lettura

      離婚して娘と暮らす遠間憲太郎は、陶器店を経営する篠原貴志子に少年のような恋をした。女は狼だという富樫重蔵とは、ともに五十歳で親友の契りを結んでいる。ある日、憲太郎は、母親から虐待を受け、心身共に未発達の幼児、圭輔を預かることになった。憲太郎は富樫は、萎縮した圭輔の心に生きる強さを懸命に吹き込むが...。人生の困難、生の荘厳を描く、心震える感動の雄編前編。

      草原の椅子
    • 流転の海 - 3: 血脈の火

      • 561pagine
      • 20 ore di lettura

      在前二部中,熊吾在戰後百業蕭條的大阪,與妻子房江生下了兒子伸仁,為了這個五十歲才得到的兒子,他決定離開混亂紛擾的大阪,回到他的故鄉九州的一本松村去。然而,多年前結下仇怨的死對頭,也追著他來到島上,想要做一了結。故鄉的新仇舊怨令他看透世情,也決定再次帶全家回到大阪重起爐灶。 伸仁已經七歲上小學,熊吾對商情的透徹,也讓他做起生意得心應手,家中似乎安定下來,但在這個熊吾發跡之地,他該如何面對他的過去和未來?

      流転の海 - 3: 血脈の火
    • 新潮文庫: 流転の海

      • 403pagine
      • 15 ore di lettura

      敗戦から2年目、裸一貫になった松坂熊吾は、大阪の闇市で松坂商会の再起をはかるが、折も折、妻の房江に、諦めていた子宝が授かった。「お前が20歳になるまでは絶対に死なん」熊吾は伸仁を溺愛し、その一方で、この理不尽で我侭で好色な男の周辺には、幾多の波瀾が持ち上った。父と子、母と子の関係を軸に、個性的な人間たちの有為転変を力強い筆致で描く、著者畢生の大作第一部。

      新潮文庫: 流転の海
    • 流転の海 - 2: 地の星

      • 427pagine
      • 15 ore di lettura

      在大阪打拚出一方天下的松坂熊吾,為了體弱的兒子,毅然回到了純樸的九州鄉下,然而在這樣一個舉重若輕、敢愛敢恨的男人眼中,背叛、偽善、仇恨、命運......都只是過眼雲煙。

      流転の海 - 2: 地の星