Carolyn Christov-Bakargiev si dedica all'esplorazione delle connessioni tra l'avanguardia storica e l'arte contemporanea attraverso la curatela di mostre. La sua pratica curatoriale implica il collegamento tra epoche artistiche, cercando continuità e dialoghi tra movimenti artistici passati e presenti. Attraverso le sue mostre, mira a scoprire ed esaminare il discorso in continua evoluzione all'interno dell'arte. Il suo approccio riflette una profonda comprensione dello sviluppo artistico e delle sue trasformazioni nel tempo.
This catalogue is produced to accompany the 2008 Biennale of Sydney exhibition. It includes essays by Iwona Blazwick, Jonathan Crary, Charles Harrison and Carolyn Christov-Bakargiev, who is the Artistic Director.
“The apparition of these faces in the crowd; petals on a wet, black bough.” ― Ezra PoundPound’s celebrated haiku powerfully evokes the situation of the individual in the personalities suspended in a moment within the life of the city. The Whitechapel Gallery, London and Castello di Rivoli in Turin, Italy organized Faces in the Crowd as an exploration of this condition of modernity seen in realist art, especially art of the human face and form. The exhibition and its catalog trace a history of avant-garde figuration from a new perspective.Taking Manet’s The Masked Ball at the Opera as its starting point, the book focuses on his contemporaries such as Degas and then moves through the twentieth century to artists of today. Some artworks represent a dramatic rupture with the past proposing radical and innovative modern forms and structures. Others picture modern life or its impact on our inner selves. Others consider art as an agent for further social change. All the works include critical and bibliographical entries, plus a selection of extracts from historical documents and artists writings from the 19th-century to today. Taken together this art fully illuminates its theme in which representations of the human figure are seen as expressions of modernity.Exhibition The Whitechapel Art Gallery, LondonDecember 3, 2004 — February 28, 2005Castello di Rivoli, TurinApril 4, 2005 — July 10, 2005