Faber & Faber Ordine dei libri

You're only the greatest person ever invented and he's some boy who's probs never had a conversation with a side of the sun before - but like Let's Be Modest About It. Tosh and Lou.

The British poet Charlotte Mew - whose 150th anniversary falls in 2019 - was regarded as one of the best poets of her age by fellow writers.

Ralph Loman works in an unsatisfying job, for a free London newspaper, when Francine Snaith, a temporary secretary for a corporate finance firm, unexpectedly crosses his path at a party.

You should know: I sing at parties, I wear colourful dresses, I am headstrong, I won't wear my hair up because you say I should, or do this because you prefer it, in fact I might do the other just to be contrary, but I am utterly and always myself. The Duchess is a young widow.

Mr Field, a concert pianist travelling back from a performance in London, suffers a fractured wrist in a train crash. On a whim, he uses his compensation money to buy a house he has seen in a newspaper - a replica of Le Corbusier's Villa Savoye -- on the coast outside Cape Town.

Larkin's final collection of poems shows, as does all his best work, his ability to adapt contemporary speech rhythms and everyday vocabulary to subtle metrical patterns and poetic forms. Many of the poems in the collection, which includes some of his best-known pieces ('The Old Fools', 'This Be the Verse', 'The Explosion', and the title poem) show the preoccupation with death and transience that is so typical of the poet.

This volume contains the complete short plays of Harold Pinter from The Room, first performed in 1960, to Celebration, which premiered in 2000. The book commemorates the tenth anniversary of the playwright's death and coincides with Pinter at the Pinter, a celebratory season staging twenty of his one-act plays at the Harold Pinter Theatre, London, 2018. With a foreword by Antonia Fraser. 'The foremost representative of British drama in the second half of the twentieth century.' Swedish Academy citation on awarding Harold Pinter the Nobel Prize in Literature, 2005.

Christopher Reid's new collection is a quartet of works for voice, opening with the brisk and brightly coloured monologue of Professor Winterthorn - recently widowed, soon to be retired, who decides on impulse to attend a conference (on 'Nonsense and the Pursuit of Futility as strategies...') in California.

Sister Judith Clancy is told that she must leave the protection of her convent and return to her family. This book is about community ties as well as a devastating story of human and political relations in twentieth century Ireland.