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Fernanda Torres

    Fernanda Torres è un'artista celebrata la cui carriera si estende per oltre trentacinque anni, arricchendo palcoscenici teatrali, grande schermo e televisione con profonda sensibilità. Il suo vasto lavoro dimostra una perspicace comprensione della psicologia umana, che infonde nei suoi diversi personaggi. Come rispettata editorialista e collaboratrice di importanti pubblicazioni brasiliane, condivide le sue acute osservazioni e la sua sensibilità letteraria. Il suo romanzo d'esordio segna una nuova dimensione della sua espressione artistica, promettendo una narrazione avvincente.

    Glory And Its Litany Of Horrors
    • "Mario Cardoso's meteoric rise to fame begins in the early sixties, when the promise of sex and revolution permeates the Rio air. But as he conquers the stage, arthouse cinema, and primetime TV, the fever and the decadence of stardom take their toll, and middle-aged Mario finds himself with an ebbing reputation, hairline, and bank account. He needs a royal comeback. Enter King Lear. Mario's turn as Shakespeare's mad monarch goes well until he's overtaken by a fit of laughter that gets more demented with each performance. Forced to cancel the show, he's confronted with his mother's unstaged madness - she's now convinced that Mario is in fact her long-departed husband. Broke and desperate, Mario signs on for an evangelical network production: Sodoma. Yet, as low as he's fallen, Mario's final set is one he never imagined. With the wicked humor and fleet-footed pace that made her novel The End a runaway bestseller in Brazil, Fernanda Torres's Glory and its Litany of Horrors is a razor-sharp take on the uneasy marriage of Art and the marketplace, and on the profession of acting in all its horror and glory"--Page 4 of cover

      Glory And Its Litany Of Horrors