Joyce Cary Libri

The Horse's Mouth, the third and most celebrated volume of Joyce Cary's First Trilogy, is perhaps the finest novel ever written about an artist. Its painter hero, the charming and larcenous Gulley Jimson, has an insatiable genius for creation and a no less remarkable appetite for destruction. Is he a great artist? a has-been? or an exhausted, drunken ne'er-do-well? He is without doubt a visionary, and as he criss-crosses London in search of money and inspiration the world as seen though his eyes appears with a newly outrageous and terrible beauty.

Herself Surprised , the first volume of Joyce Cary's remarkable First Trilogy, introduces Sara Monday, a woman at once dissolute and devout, passionate and sly. With no regrets, Sara reviews her changing fortunes, remembering the drudgery of domestic servitude, the pleasures of playing the great lady in a small provincial town, and the splendors and miseries of life as the model, muse, and mistress of the painter Gulley Jimson.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The story follows Tom Wilcher, a frugal lawyer who grapples with his disdain for the modern world as he nears the end of his life. Amidst a complex relationship with his loving yet resentful family, he reflects on his past experiences and choices, exploring themes of regret, familial bonds, and the passage of time.

Exploring the connection between artists and their perceptions of the world, this 1958 work delves into how artists interpret and transform their surroundings. It investigates the creative process and the unique ways in which artists engage with reality, offering insights into their motivations and the impact of their work on society.