Using the frames of diaspora theory, post-colonial discourse theory and the recent Atlantic turn in studies of resistance, this book brings into relief Gandhi's experience as a traveler moving from a classic colony, India, to the plantation and mining society of South Africa.
The book explores the "Eastern" genre of film, contrasting it with the traditional Western genre. It focuses on films that portray the eastern and southern frontiers of Euro-American expansion, analyzing six specific films to highlight the unique narratives and themes within this genre. By examining these films, the author delves into how the "Eastern" reflects cultural and historical contexts distinct from those of the Western, offering a fresh perspective on American cinematic storytelling.