A. N Wilson Ordine dei libri (cronologico)

A brilliant and insightful celebration of the imaginative genius of Charles Dickens, published to commemorate the 150th anniversary of his death.

The structure of the book is chronological, with digressions. From Roman and then Norman London, we move on to Chaucer's London - the city of the Peasants Revolt, Dick Whittington and the great Livery Companies. In Tudor and Stuart London many believed the city was being wrecked by over-population, over-building and the greed of speculators. Eighteenth-century London witnessed the South Sea Bubble, gin, highwaymen and the Gordon riots; but also banking, hospitals, and the elegant design of everyday things. In the nineteenth century, expanding vigorously, the city resisted any overall make-over. With Queen Victoria came the Railway Age, which made and unmade the city. Chartism, anti-semitism, overcrowding and cholera. But engineering triumphs too. If the First World War was a nightmare happening elsewhere, the amazing six years of 1939-45 were the city's finest hour. Post-1945, property developers took over, with disastrous results. The author celebrates the cosmopolitan city that mobility and immigration have created, while deploring the `moronization' of the city, exemplified by the Millennium Dome and Ken Livingstone's 2002 London Plan.

Schets van het geleidelijke afscheid in wetenschap en cultuur in Engeland in de 18e en 19e eeuw van het theïstische godsbeeld.

In this work, A.N. Wilson's account shows how the decline of religious certainty in Victorian times had its origin with the 18th-century sceptics, and brought a devastating sense of emotional loss which extends to our own times.

It begins on the road to Damascus, in a moment graven on the consciousness of Western civilization. "Saul, Saul", asks the crucified Jesus of Nazareth, "why persecutest thou me?" From this experience, & from the response of the Jewish merchant later known as Paul, springs the Christian Church as we know it today. For as A.N. Wilson makes clear in this gripping narrative, Christianity without Paul is quite literally nothing. Jesus, with the layers of scholarship & ceremony stripped away, is a fastidious & fervent Jew who will lead his followers into a stricter, purer observance of Judaism. It's Paul who will claim divinity for him, who will transform him into the Messiah, center of an entirely new religion. In Wilson's astute narrative, we see Paul negotiating the dangerous political currents of the Roman Empire, making converts, & writing the great epistles that define our understanding of Christ & of the sublime paradoxes of his teaching. What drove Paul? What would he think of what his church has become? The answers lie in this biography, which lays bare the psychological journey of Christianity's true inventor.

Was sind die Fakten über das Leben Jesu, im Gegensatz zu den Mythen oder unbewiesenen Glaubenssätzen, die die Wunder, den Tod und die Auferstehung umgeben? Wie und wann wurde das Christentum zu einer eigenen Religion, getrennt vom Judentum, in das Jesus geboren wurde? Inwieweit war seine Macht über Zeitgenossen politischer als religiöser Natur? A. N. Wilsons Antworten auf diese Fragen werden Leser aller Glaubensrichtungen oder Skepsis faszinieren.

This is a story about the dangers and fascination of digging up the past: the shady past of a possible murderer, the archaeological past of Britain and the mythological past of Christian history. The author also wrote "Incline Our Hearts", "A Bottle in the Smoke" and "Eminent Victorians".

Kritische levensbeschrijving.

Evelyn Tradescant, a lonely young woman, becomes fascinated with Theo Gormann, an old man with a mysterious past

"How wonderful to be an artist and a woman in the twentieth century," Fleur Talbot rejoices. Happily loitering about London, c. 1949, with intent to gather material for her writing, Fleur finds a job "on the grubby edge of the literary world," as secretary to the peculiar Autobiographical Association. Mad egomaniacs, hilariously writing their memoirs in advance—or poor fools ensnared by a blackmailer? Rich material, in any case. But when its pompous director, Sir Quentin Oliver, steals the manuscript of Fleur's new novel, fiction begins to appropriate life. The association's members begin to act out scenes exactly as Fleur herself has already written them in her missing manuscript. And as they meet darkly funny, pre-visioned fates, where does art start or reality end? "A delicious conundrum," The New Statesman called Loitering with Intent.