Laurence Senelick è una figura di spicco negli studi teatrali, il cui lavoro indaga l'intersezione tra performance, storia e cultura. I suoi saggi critici e la sua produzione accademica approfondiscono le profonde connessioni tra i testi drammatici e la loro messa in scena, rivelando come il teatro sia plasmato dai cambiamenti sociali e li plasmi. Attraverso la sua profonda comprensione della storia e della pratica teatrale, Senelick illumina la natura complessa delle arti drammatiche e il loro impatto duraturo.
Exploring musical theatre, nineteenth-century culture, modern stagecraft, and the development of modern sexual mores, this book presents a global view of the influence of Offenbach and his comic operas. The volume demonstrates his central role in theatrical innovation and his impact on wider society and culture.
The lives, deeds and jests of notable clowns have been recorded from authentic sources and picturesque legends.
Focusing on the representation of dying in theatre, this book explores how actors convey complex ideas and emotions related to death in a way that resonates with audiences. It examines the approaches playwrights have taken to depict death and the cultural attitudes surrounding it, while placing a strong emphasis on the art of acting itself. The text delves into the intricate relationship between performance and the profound themes of mortality, offering insights into both historical and contemporary theatrical practices.