Yana Meerzon Ordine dei libri

Exploring the cultural geography of contemporary Russia, this Element analyzes the performative strategies employed by the Russian state to reinforce nationalism. It contrasts these state-driven narratives with artistic resistance from both state-funded and independent theater companies, highlighting innovative dramaturgies and storytelling techniques. The work delves into the interplay between nationalism and artistic expression, revealing a dynamic landscape of cultural resistance against dominant ideologies.

Exploring the intersection of contemporary theatre and cosmopolitanism, this book emphasizes the importance of empathy and personal narratives in fostering social responsibility and respect in a globalized world. It highlights the role of performance arts as a medium for understanding displacement and divided identities, portraying a new cosmopolitan figure who embodies multiple cultural heritages. The analysis focuses on how European and North American theatres represent this complex subjectivity, examining both self-representation and external perceptions.

This book reinterprets Michael Chekhov's influential acting theory within its cultural and political context. It explores the stage mask as a psychological and cultural construct, emphasizing the dialectical relationship between actor and character. The work opens new interdisciplinary perspectives on acting as a liberating and cathartic process.