Alexis Champon Libri

A woman is killed by a poisoned dart in the enclosed confines of a commercial passenger plane. Flying from Paris to London.From seat No.9, Hercule Poirot was ideally placed to observe his fellow air passengers. Over to his right sat a pretty young woman, clearly infatuated with the man opposite; ahead, in seat No.13, sat a Countess with a poorly-concealed cocaine habit; across the gangway in seat No.8, a detective writer was being troubled by an aggressive wasp. What Poirot did not yet realize was that behind him, in seat No.2, sat the slumped, lifeless body of a woman.How could this happen with the world's No. 1 private detective on board?

When a burglary goes wrong on the opening night of his new restaurant, Jack Keller is left a widower and suffering from several bullet wounds. In emotional and physical turmoil he becomes a self-pitying recluse, until Kid Demeter, a young man Jack once regarded as a son and who is now a formidable physiotherapist, bullies him into better health. Then Kid is found dead, but Jack cannot accept the view that his death was either accidental or suicide. Knowing he owes Kid for getting his own life back on track, Jack starts to investigate Kid's personal life and discovers he was a serial womaniser. He begins to identify and locate these women, but every time he speaks to one of them they end up dead. Then, as he edges closer to the truth of Kid's death, he realises that his wife's murder was the catalyst of all that followed.

Internationally acclaimed Martha Grimes once again turns her hand to crafting a story of such rich atmosphere and intricate suspense that she transports the reader to a world unlike any other. — A once-fashionable, now fading resort hotel. A spinster Aunt living in an attic. Dirt roads that lead to dead ends. A house full of secrets and old, dusty furnishings, uninhabited for almost half a century. A twelve-year-old girl with a passion for double-chocolate ice-cream sodas, and decaying lake-fronts, and an obsession with the death by drowning of another young girl, forty years before. Like all important events in the past, there are repercussions and ramifications in the present. In the world as seen by Martha Grimes, those repercussions simmer and seethe and wind their way through hearts and souls. The ramifications can be subtle. Or exhilarating. Passionate. And they can also be deadly. Hotel Paradise is a delicate yet excruciating view of the pettiness and cruelty of small town America. It is a look at the difficult decisions a young girl must make on her way to becoming an adult and the choices she must make between right and wrong, between love and truth, between life and death. It is a novel with extraordinary range and depth that ultimately becomes a thrilling morality play.

Continua la grande epopea di Ayla: dopo Ayla Figlia della Terra , La Valle dei Cavalli e Gli Eletti di Mut , il ciclo de I Figli della Terra prosegue con: LE PIANURE DEL PASSAGGIO Quello che Ayla e Giondalar stanno per intraprendere è un viaggio che nessuno ha mai tentato: attraversare le sconfinate pianure dell'Europa dell'Era glaciale. Oltre quelle lande desolate, abitate da popoli selvaggi e animali feroci, solcate da fiumi tumultuosi, segnate da imponenti montagne e immani ghiacciai, li attende il luogo della dimora definitiva. Riusciranno a giungervi? Jean M. Auel, nata a Chicago, all'età di quarant'anni ha lasciato il lavoro per mettersi a scrivere. Nel 1980 ha pubblicato il suo primo romanzo: Ayla Figlia della Terra . Oggi è uno dei più grandi fenomeni editoriali. I romanzi del ciclo I Figli della Terra sono stati tradotti in diciotto lingue e hanno superato i venti milioni di copie vendute in tutto il mondo. Ha dato modo a milioni di persone di rivivere l'atmosfera e le sensazioni degli uomini e delle donne dell'Età della pietra. Antropologi, archeologi e paleontologi hanno elogiato il suo lavoro e negli ultimi dieci anni è diventatauna relatrice contesissima da musei, università enti culturali e altre organizzazioni.

Miranda's sister, Kerri, has a new boyfriend. He's a raven-haired, handsome charmer who seems to dote on Kerri. But Brendan isn't the man he says he is. Miranda should know, because she broke off her own affair with him just a few weeks ago when she found him reading her diary. Now Brendan claims that it was he who ended their short-lived relationship—and everyone believes him. When he and Kerri announce their engagement, Miranda's parents are thrilled for their shyer, less confident daughter. Then Kerri and Brendan beg Miranda to let them live in her apartment until their new home is ready. Against her better judgment, Miranda agrees. Like a virus, Brendan starts spreading destruction throughout her life. He invades her privacy and disrupts her relationships with her family and friends. And then the real nightmare begins.… Like the obscenities he whispers into her ear, his onslaughts are as undetectable as they are devastating. Those closest to her begin to doubt her mental stability and accuse her of the very thing she believes drives Brendan: obsession. When Miranda decides to take off the gloves, fight back, and discover what is behind her enemy's bemused, secret smile, the consequences will be terrifying.