Robert Goddard è un maestro del colpo di scena e un narratore avvincente i cui romanzi intrecciano elementi di mistero, thriller e romanzo storico. Con una carriera di scrittura che dura da oltre vent'anni, le sue opere promuovono le virtù tradizionali di ritmo, trama e slancio narrativo. Il suo approccio distintivo lo ha affermato come una voce di spicco nella narrazione contemporanea.
From the author of the BBC 2 Between the Covers hit, The Fine Art of Invisible Detection'The world's greatest storyteller' Guardian'One of the finest crime writers of any generation' Daily Mail'Our finest practitioner of the double-cross plotting' Mick Herron______________________________________Umiko Wada never[Bokinfo].
From the author of the BBC 2 Between the Covers hit, The Fine Art of Invisible Detection 'The world's greatest storyteller' THE GUARDIAN 'One of the finest crime writers of any generation' DAILY MAIL On a stifling afternoon at Police HQ in Algiers, Superintendent Taleb, coasting towards retirement, with not even an air-conditioned office to show for his long years of service, is handed a ticking time bomb of a case which will take him deep into Algeria's troubled past and its fraught relationship with France. To his dismay, he is assigned to work with Agent Hidouchi, an intimidating representative of the country's feared secret service, who makes it clear she intends to call the shots. They are instructed to pursue a former agent, now on the run after twenty years in prison for his part in a high-level corruption scandal. But their search will lead them inexorably towards a greater mystery, surrounding a murder that took place in Paris more than fifty years ago. Uncovering the truth may be his responsibility, but Taleb is well aware that no-one in Algeria wants to be reminded of the dark deeds carried out in the struggle for independence - or in the violence that has racked the nation since. Before long, he will face a choice he has long sought to avoid, between self-preservation and doing the right thing. And, ultimately, the choice may not even be his to make.
On assignment in Vienna, photographer Ian Jarrett falls desperately in love with a woman he meets by chance, Marian Esguard. Back in England, he breaks up with his wife and goes to meet Marian at an agreed rendezvous. Marian fails to show. Searching desperately for her, he stumbles on a Dorset churchyard full of the gravestones of dead Esguards. He also meets a psychotherapist, Daphne Sanger. She too is looking for someone: a former patient who has come to believe she is the reincarnation of Marion Esguard, who lived in Regency times and, it emerges, may have invented photography ten years before Fox Talbot. But if so, why is she unknown to history? And where is the woman he met in Vienna? Ian sets out to solve a mystery that may be 170 years old. At the end of his search a trap awaits him. There is a twist at the end of Caught in the Light that is Robert Goddard's most cunning to date.
Hatred governs Leonora's childhood after the Great War, but cannot crush her longing to know the truth of her mother's life and father's death.
Why should distinguished Edwardian Cabinet minister Edwin Strafford resign at the height of his parliamentary career? Why does the woman he loves so suddenly and coldly reject him? Why, seventy years later, should people go to such lengths — even as far as murder — to prevent the truth from being revealed? Martin Radford, history graduate, disaffected and unemployed, leaps at the chance to get to the island of Madeira and begin the hunt for a solution to the intriguing secret of Edwin Stafford's fall from grace. However, his seeming good fortune turns to nightmare as his investigation triggers a bizarre and violent train of events which remorselessly entangles him and those who believed they had escaped the spectre of crimes long past but never paid for...
Geoffrey Staddon had never forgotten the house called Clouds Frome, the best thing he had ever done as an architect. Twelve years before the day in September 1923 when a paragraph in the newspaper made his blood run cold, he had truned his back on it for the last time, turned his back on the woman he loved, and who loved him. But when he read that Consuela Caswell had been charged with murder, he knew that he must return at last to Clouds Frome.
On a mild autumn afternoon in 1882, William Trenchard sits smoking his pipe in the garden of his comfortable family home. When the creak of the garden gate heralds the arrival of an unexpected stranger, he is puzzled but not alarmed. He cannot know the destruction this man will wreak on all he holds most dear... The stranger announces himself ast James Norton, but claims he is in reality Sir James Davenall, the man to whom Trenchard's wife Constance had been engaged, and who had committed suicide eleven years ago. Sir Hugo, James's younger brother, and his mother, Lady Catherine, refuse to recognise Norton and force Trenchard - who fears the loss of his wife's affections - into an uneasy alliance against him. But Trenchard must plumb the depths of his own despair before the dark secrets of the Davenall family can finally, shockingly, be revealed...
Then a guest at the villa - a young woman he had instantly and innocently warmed to - disappears on a mountain peak. The trail leads him back to England, to a world he thought he had left for ever - and a past he has tried desperately to forget.
A murder mystery that moves between a wedding party in 1981 and a murder in 1947. Chris Napier decides to delve into the events of the past to try and find out who killed his great uncle, Joshua Bradwell. Before long, larger mysteries begin to dog Chris's footsteps into the past.
In a narrative that moves between Cheltenham and New York, Paris and rural Wales, Tunbridge Wells and wartime Spain, the conspirators themselves are caught up in a chain of dramatic events that are the consequence of meddling in the dark secrets of the legendary poet.
