Jan Fastenau Libri

1998 PAPERBACK BY AUTHOR OF AFRICAN NIGHTS,

Sherman McCoy è uno dei padroni di Wall Street e sente di avere il mondo in pugno: guadagna un milione di dollari all'anno, vive in un appartamento di quattordici stanze a Manhattan, al riparo dai pericoli e dalle violenze della metropoli multirazziale. Quando però una sera McCoy investe con l'auto un giovane nero nel Bronx, la polizia, i giornalisti, i politici e i difensori civici gli sono subito addosso, trasformando l'uomo di successo, il superprivilegiato, nella vittima designata di un'intera città.Una grande "commedia umana" che ha fatto tremare l'America dei potenti e dei pavidi, degli ipocriti e degli arrivisti. Tutti bruciati su un magnifico e indimenticabile falò delle vanità.

In The Illusion of Separateness, award-winning author Simon Van Booy tells a harrowing and enchanting story of how one man’s act of mercy during World War II changed the lives of strangers, and how they each discover the astonishing truth of their connection. Whether they are pursued by Nazi soldiers, old age, shame, deformity, disease, or regret, the characters in this utterly compelling novel discover in their, darkest moments of fear and isolation that they are not alone, that they were never alone, that every human being is a link in an unseen chain. The Illusion of Separateness intertwines the stories of unique and compelling characters who—through seemingly random acts of selflessness—discover the vital parts they have played in each other’s lives.

Contained in this book are three stories about ordinary people, who find themselves in surprising situations.

The ruthlessly engrossing and beautifully rendered story of the Brodskys, a family of artists who realize, too late, one elemental truth: Creation’s necessary consequence is destruction. Each member of the mercurial clan in Adam Mansbach’s bold new novel faces the impossible choice between the people they love and the art that sustains them. Tristan Brodsky, sprung from the asphalt of the depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remakes American culture while slowly suffocating his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer escapes from behind the Iron Curtain with a group of black musicians only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge and the survival of each requires the sacrifice of another. The End of the Jews offers all the rewards of the traditional family epic, but Mansbach’s irreverent wit and rich, kinetic prose shed new light on the genre. It runs on its own chronometer, somersaulting gracefully through time and space, interweaving the tales of these three protagonists who, separated by generation and geography, are leading parallel lives.

SHORTLISTED FOR THE COSTA NOVEL OF THE YEAR'There are war stories and there are love stories, but we only occasionally get war stories and love stories braided together. Tim Finch has written a wonderful novel, tiny and epic both. Laced with humour and sadness, this is an intimate account of what it means to make peace, both with others and with oneself' COLUM McCANN 'A shrewd delight' independent.co.ukEdvard Behrens is a senior diplomat of some repute, highly regarded for his work on international peace negotiations. Under his arbitration, unimaginable atrocities are coolly dissected; invisible and ancient lines, grown taut and frayed with conflict, redrawn.In his latest post, Edvard has been sent a nondescript resort hotel in the Tyrol. High up on this mountain, the air is bright and clear. When he isn't working, Edvard reads, walks, listens to music. He confides in no one - no one but his wife Anna. Anna, who he loves with all his heart; Anna, always present and yet forever absent. Honest, honourable, tragic, witty, wise, an unforgettable novel of love, loss, and the human longing for peace, Peace Talks maps the darkest and most tender territories of the human heart.

Andy, Dag and Claire have been handed a society beyond their means. Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fallout of yuppies, recession, crack and Ronald Reagan, they represent the new generation - Generation X. Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working in no future McJobs in the service industry. Underemployed, overeducated and intensely private and unpredicatable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories: disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposible Swedish furniture.

The author of American Psycho and Less Than Zero continues to shock and haunt us with his incisive and brilliant dissection of the modern world.In his most ambitious and gripping book yet, Bret Easton Ellis takes our celebrity obsessed culture and increases the volume exponentially. Set in 90s Manhattan, Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with one beautiful model and having an affair with another onthe eve of opening the trendiest nightclub in New York City history.And now it's time to move to the next stage. But the future he gets is not the one he had in mind. With the same deft satire and savage wit he has brought to his other fiction, Bret Ellis gets beyond the facade and introduces us, unsparingly, to what we always feared was behind it. Glamorama shows us a shadowy looking-glass reality, the juncture where fame and fashion and terror and mayhem meet and then begin to resemble the familiar surface of our lives."

1989. Shahid hat seine bürgerliche Familie verlassen, um in London zu studieren. Dort schließt er sich einer Gruppe junger, scheinbar konservativer Muslime an, die sich jedoch als bücherverbrennende Fanatiker entpuppen. Gleichzeitig lässt er sich aber auch auf eine intellektuelle und sexuelle Beziehung mit seiner drogenabhängigen Professorin ein. Shahid ist unentschlossen und hin- und hergerissen, bis er Zeuge und schließlich selbst das Opfer der Gewalt fanatischer Muslime wird. Abiturempfehlung zu den Themenbereichen Multicultural society und Terrorism

Shortlisted for the 2014 Man Booker PrizeSet in the future - a world where the past is a dangerous country, not to be talked about or visited - J is a love story of incomparable strangeness, both tender and terrifying.Two people fall in love, not yet knowing where they have come from or where they are going. Kevern doesn't know why his father always drew two fingers across his lips when he said a world starting with a J. It wasn't then, and isn't now, the time or place to be asking questions. Ailinn too has grown up in the dark about who she was or where she came from. On their first date Kevern kisses the bruises under her eyes. He doesn't ask who hurt her. Brutality has grown commonplace. They aren't sure if they have fallen in love of their own accord, or whether they've been pushed into each other's arms. But who would have pushed them, and why?Hanging over the lives of all the characters in this novel is a momentous catastrophe – a past event shrouded in suspicion, denial and apology, now referred to as What Happened, If It Happened.J is a novel to be talked about in the same breath as Nineteen Eighty-Four and Brave New World, thought-provoking and life-changing. It is like no other novel that Howard Jacobson has written.