Jan Fastenau Libri

1998 PAPERBACK BY AUTHOR OF AFRICAN NIGHTS,

Sherman McCoy è uno dei padroni di Wall Street e sente di avere il mondo in pugno: guadagna un milione di dollari all'anno, vive in un appartamento di quattordici stanze a Manhattan, al riparo dai pericoli e dalle violenze della metropoli multirazziale. Quando però una sera McCoy investe con l'auto un giovane nero nel Bronx, la polizia, i giornalisti, i politici e i difensori civici gli sono subito addosso, trasformando l'uomo di successo, il superprivilegiato, nella vittima designata di un'intera città.Una grande "commedia umana" che ha fatto tremare l'America dei potenti e dei pavidi, degli ipocriti e degli arrivisti. Tutti bruciati su un magnifico e indimenticabile falò delle vanità.

Een Duitse soldaat, een Amerikaanse soldaat – en geen van beiden haalt de trekker over. Deze ogenschijnlijk simpele daad van barmhartigheid op een Frans slagveld tijdens de Tweede Wereldoorlog beïnvloedt het nageslacht van twee zeer verschillende mannen. Geïnspireerd door een waar gebeurd verhaal laat Simon Van Booy zien hoe de levens van uiteenlopende mensen met elkaar verbonden zijn: de Duitse infanterist Hugo, zijn eenzame buurjongetje Danny, de blinde museumcurator Amelia en haar grootvader, de Joods-Amerikaanse piloot John. Gaandeweg wordt duidelijk welke rol ze spelen in elkaars leven, en dat alleenzijn een illusie is.

Lord Arthur Savile's Crime and Other Stories is a collection of four of Wilde's short stories: "Lord Arthur Savile's Crime," "The Sphinx without a Secret," "The Canterville Ghost," and "A Model Millionaire." Originally published in various London magazines in 1887, the pieces were eventually collected and published in book form in 1891. In these stories, generally described as social satires, Wilde parodied what he considered American naïveté as well as the cultural and social snobbery associated with the British aristocracy. Critics praise Wilde's literary achievement with these stories - particularly "The Canterville Ghost" and "Lord Arthur Savile's Crime"--But note the relative neglect of his short fiction in light of the notoriety of his dramas and his novel, The Picture of Dorian Gray (1891)

The ruthlessly engrossing and beautifully rendered story of the Brodskys, a family of artists who realize, too late, one elemental truth: Creation’s necessary consequence is destruction. Each member of the mercurial clan in Adam Mansbach’s bold new novel faces the impossible choice between the people they love and the art that sustains them. Tristan Brodsky, sprung from the asphalt of the depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remakes American culture while slowly suffocating his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer escapes from behind the Iron Curtain with a group of black musicians only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge and the survival of each requires the sacrifice of another. The End of the Jews offers all the rewards of the traditional family epic, but Mansbach’s irreverent wit and rich, kinetic prose shed new light on the genre. It runs on its own chronometer, somersaulting gracefully through time and space, interweaving the tales of these three protagonists who, separated by generation and geography, are leading parallel lives.

Three twenty-something young adults, working at low-paying, no-future jobs, tell one another modern tales of love and death.

Shahid, a young man from the provinces, comes to London after the death of his father. He finds himself embroiled in a battle between liberalism and fundamentalism in a London so noisily exuberant there is scarcely room for his arguments.

Een rijke effectenhandelaar in New York ziet zijn wereld in elkaar storten nadat hij is doorgereden na een verkeersongeluk waarvan een zwarte jongen het slachtoffer werd.