Richard Hudson, ein begnadeter Gebrauchtwagenverkäufer, kennt die Schwachstellen der Männer und Frauen wie ein Zuhälter. Seine Anpreisungen rechtfertigt er mit einer höchst perversen Logik, bis auch er erkennt, dass er sein Leben mit der sinnlosen Jagd nach Geld vergeudet. Er muss sich an etwas Kreativem versuchen – einem ehrgeizigen und risikoreichen Filmprojekt. Doch Kräfte, die sich seiner Kontrolle entziehen, machen ihm einen Strich durch die Rechnung. Der wütende und gedemütigte Gebrauchtwagenverkäufer trinkt sich daraufhin durch die Unterwelt von Los Angeles und nimmt monströse Rache an allen, die ihm in die Quere gekommen sind. Im Zentrum von Willefords Roman steht die Erfolgsethik des amerikanischen Traums, wonach alle, die im Sinne des Hyperkommerz nicht konkurrenzfähig sind, gnadenlos ausgestoßen werden. Kreativität bleibt auf der Strecke; Kultur versackt in einer grausam ver zerrten Masse.
Charles Ray Willeford Ordine dei libri
Charles Willeford fu uno scrittore notevolmente valido, talentuoso e prolifico, la cui carriera diversificata spaziava dalla poesia alla narrativa poliziesca alla critica letteraria. I suoi romanzi polizieschi si distinguono per un senso di economia narrativa essenziale e un ammirevole difetto di sentimentalismo. Lo stile di Willeford si rivelò particolarmente adatto alle crude realtà del mondo criminale, offrendo ai lettori una prospettiva unica sui suoi personaggi e sui loro ambienti. La sua maestria nell'atmosfera e nella psicologia dei personaggi lo rende un autore essenziale per gli appassionati di suspense.







- 2023
- 2015
'No one writes a better crime novel than Charles Willeford' Elmore Leonard
- 2008
Made in Miami
- 163pagine
- 6 ore di lettura
Art student Ralph Tone is working in Miami as a bellboy. He meets Hollywood hopeful Maria Duigan and falls head over heels for the ambitious beauty. As Ralph fuels his obsession by booze, pills, and lack of sleep, they both quickly become entangled with sleazy pornographer Donald McKay. Charles Willeford's MADE IN MIAMI was originally released to the unsuspecting masses in 1958 under the title LUST IS A WOMAN by a publisher incapable of spelling the author's name correctly on the cover. Written in white heat by "the unlikely father of Miami crime fiction" (Atlantic Monthly) to match the requirements of the market, the book remains a textbook example of lurid 1950s pulp fiction. It was also a springboard to the author's later masterpieces MIAMI BLUES and SIDESWIPE.
- 2006
La sbandata
- 191pagine
- 7 ore di lettura
- 2005
The Shark-Infested Custard
- 272pagine
- 10 ore di lettura
Set against the backdrop of Miami's vibrant yet dangerous atmosphere, this story follows four ordinary men residing in a singles apartment complex. As they navigate life, they quickly discover that the city's allure comes with various challenges and dangers, revealing the darker side of their seemingly mundane lives. The narrative intertwines friendship, survival, and the unique heat of Miami, showcasing the complexities of urban living.
- 2005
High Priest of California
- 100pagine
- 4 ore di lettura
"She was leaning against the door. Her smile was a sickly twisted grimace; the sort a prisoner gives a judge when he's asked if he has anything to say before he's sentenced." Russell Haxby is a ruthless used car salesman obsessed with manipulating and cavorting with married women. In this classic of hard-boiled fiction, Charles Willeford crafts a wry, sardonic tale of hypocrisy, intrigue and lust set in San Francisco in the early fifties. In High Priest of California every sentence masks innuendo, every detail hides a clue, and every used car sale is as outrageous as every seduction. First published 1953.
- 2003
The Black Mass of Brother Springer
- 208pagine
- 8 ore di lettura
The story revolves around Sam Springer, a Miami novelist, and his captivating muse, Merita, who embodies an exotic beauty that transcends mere fantasy. Their relationship explores themes of love and desire, contrasting Sam's artistic perceptions with Merita's tangible existence. The vivid imagery of their connection highlights the complexities of attraction and the nuances of race and identity, setting the stage for an intriguing narrative filled with emotional depth and cultural exploration.
- 2003
The Way We Die Now
- 256pagine
- 9 ore di lettura
The story follows Miami Homicide Detective Hoke Moseley as he navigates a series of unexpected challenges, starting with an unusual order to grow his beard. Confronted by the presence of a man he once convicted living nearby and juggling family dynamics, Hoke's situation worsens when he's assigned an undercover mission without his usual tools. Posing as a drifter, he attempts to infiltrate a farm linked to the murder of migrant workers, only to find that his job prospects are far from what he anticipated.
- 2001
Sideswipe
- 279pagine
- 10 ore di lettura
A nervous breakdown, two daughters and a pregnant unmarried partner tell Hoke Moseley that it's time to simplify his crazy life. Moving out to Miami to manage a small hotel seems a good idea - until psycho career criminal, Troy Louden, happens along with his makeshift gang and Hoke is dragged back to the job he thought he had left behind for ever. 'No one writes a better crime novel than Charles Willeford' - Elmore Leonard
- 2001
Il cacciatore di donne
- 197pagine
- 7 ore di lettura
Richard Hudson è uno straordinario persuasore, non è un caso quindi che venda automobili usate. Si è appena trasferito da San Francisco per avviare una nuova concessionaria a Los Angeles. Ma nella "città degli angeli" piazzare automobili è fin troppo facile e la mente di Richard divaga. Dopo essersi stabilito provvisoriamente a casa di sua madre e aver conosciuto a fondo Becky, la sua giovane sorellastra, Richard espone al patrigno Leo Steinberg l'idea che gli è venuta: girare un film a basso costo in parte auto-finanziato. Leo è stato un regista di buona caratura che attende da anni di poter rientrare nel salotto buono degli Studios hollywoodiani; rimane un esperto di cinema e pensa che il soggetto di Richard possa funzionare. Il produttore dei Mammoth Studios accetta la sfida e la carriera da regista cinematografico di Richard Hudson ha inizio. Ha solo un ultimo piccolissimo problema da risolvere: il suo ego è troppo grande per scendere a compromessi...

