Jeanine Cummins Ordine dei libri

Domov nie je miesto. Je to príbeh, ktorý si o sebe rozprávame. Rafaela si v roku 1968 v záchvate romantiky vezme muža, ktorým si nie je celkom istá – a týmto rozhodnutím sa začne jej cesta z rodného Portorika na americký Stredozápad. Namiesto nového začiatku však prichádza samota a sklamanie… Jej dcéra Ruth sa v osemdesiatych rokoch snaží za každú cenu zapadnúť – a tak sa vzdá jazyka, zvykov aj spomienok na detstvo v portorickom meste San Juan. Až o desaťročia neskôr, keď sa Ruthina dcéra Daisy vracia na rodný ostrov, musia tri generácie žien čeliť minulosti, rozhodnutiam, ktoré ich formovali, aj otázke, čo pre ne vlastne znamená slovo „domov“. Rozprávaj mi o domove je silný príbeh o matkách a dcérach, o láske, odlúčení, odvahe a túžbe niekam patriť. Jeanine Cumminsová v ňom píše o domove ako o mieste, ktoré si nesieme v srdci – a ktoré si niekedy musíme znova vybojovať.

Lydia Quixano Perez lives in Acapulco, where she runs a bookstore and cherishes her son, Luca, and her journalist husband. Despite the encroaching dangers of drug cartels, her life is relatively comfortable. Lydia fills her store with beloved books, but everything changes when a man named Javier, who is charming and erudite, enters her shop. Unbeknownst to her, he is the leader of a brutal drug cartel. When Lydia's husband publishes a revealing profile of Javier, their lives are shattered. Forced to escape, Lydia and her eight-year-old son find themselves fleeing their middle-class existence. They embark on a perilous journey as migrants, riding la bestia—trains heading north toward the United States, the only place beyond Javier's reach. Along the way, they encounter countless others also fleeing their pasts, each with their own stories of loss and hope. As Lydia navigates this harrowing experience, she begins to question what they are truly running toward. This gripping narrative is filled with poignancy, drama, and humanity, leaving readers profoundly affected by Lydia's journey and the realities faced by countless migrants.

A devastating true crime account of a murder that touched her own family, from the author of AMERICAN DIRT

Dici Acapulco e pensi a spiagge di sabbia finissima, mare cristallino e palme accarezzate dalla brezza. Ma oggi la perla del Pacifico è molto diversa dall'immagine da cartolina usata per attirare i turisti. Il narcotraffico si è insinuato in città e gli omicidi sono all'ordine del giorno. Ad Acapulco vive Lydia, che si divide tra il lavoro in libreria e la famiglia: il marito Sebastián, giornalista, e il figlioletto Luca, otto anni e un'intelligenza fuori dal comune. Quello che Lydia non si aspetta è che la sua esistenza venga sconvolta improvvisamente, quando un commando di uomini armati irrompe alla festa di compleanno della nipote e stermina i suoi cari. Nascosti in bagno, solo Lydia e Luca si salvano dalla carneficina, e per loro inizia una fuga estenuante. Rimanere in Messico equivale a morte certa, ma per non farsi rintracciare dal boss che ha ordinato il massacro bisogna evitare le strade più battute e i normali mezzi di trasporto. Così, a madre e figlio non resta altro che prendere la via dei migranti. Questo significa anche salire sulla Bestia, il treno merci su cui si salta al volo rischiando di finire stritolati. Affrontano così la difficile traversata del deserto, conoscono altri migranti, alcuni disposti ad aiutarli, altri pronti ad approfittarsi di loro, cercando disperatamente di conservare la propria umanità in un'esperienza che di umano ha ben poco. Ma è davvero possibile raggiungere il confine? I sicari li troveranno? E cosa ha scatenato la furia del boss che li vuole morti?

'Rich and intricately drawn... luminous prose' Carolyn Parkhurst After the birth of her daughter Emma, the usually resilient Majella finds herself feeling isolated and exhausted. Then, at her childhood home, Majella discovers the diary of her maternal ancestor Ginny, and is shocked to read a story of murder in her family history. With the famine upon her, Ginny Doyle fled from Ireland to America, but not all of her family made it. What happened during those harrowing years, and why does Ginny call herself a killer? Is Majella genetically fated to be a bad mother, despite the fierce tenderness she feels for her baby? Determined to uncover the truth of her heritage and her own identity, Majella sets out to explore Ginny's past - and discovers surprising truths about her family and ultimately, herself.

Ireland, 1959: Young Christy Hurley is a Pavee gypsy, traveling with his father and extended family from town to town, carrying all their worldly possessions in their wagons. Christy carries with him a burden of guilt as well, haunted by the story of his mother's death in childbirth. The peripatetic life is the only one Christy has ever known, but when his grandfather dies, everything changes. His father decides to settle down temporarily in a town where Christy and his cousin can attend mass and receive proper schooling. But they are still treated as outsiders. As Christy's exposure to a different life causes him to question who he is and where he belongs, the answer may lie with an old newspaper photograph and a long-buried family secret that could change his life forever...