Marie Odile Fortier Masek Ordine dei libri

Isabel vient de fêter ses quarante ans. Ce n'est pas le désastre annoncé par son amie Carlotta. À peine une ponctuation dans la douce fuite des jours. Un mari, une fille, un atelier de confection de masques : la vie continue. Toutefois, Dan, le mari, lassé de son métier, ne vit plus que pour le théâtre. Il a connu un premier succès à Oxford et n'aime pas voir ses manuscrits refusés. Sylvie, la fille, a beau porter un regard affectueux sur le couple que forment ses parents, elle n'en est pas moins une adolescente en conflit ouvert avec sa mère et n'en fait qu'à sa tête. Quant à Bert, l'ami de jeunesse de Dan, de retour après avoir travaillé à New York, il n'est ni aveugle, ni sourd, ni muet vis-à-vis des femmes qui l'entourent. Et Carlotta, la bonne copine célibataire, qui cumule les aventures, éprouve un gros faible pour Dan. Des êtres fragiles et ambigus, les troubles du désir, une valse des sentiments, des épilogues amoureux inattendus... Un roman fort et tendre sur la vie contemporaine.

With precisely 35 canvases to his credit, the Dutch painter Johannes Vermeer represents one of the great enigmas of 17th-century art. The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer's extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries - and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title. Girl with a Pearl Earring centers on Vermeer's prosperous Delft household during the 1660s. When Griet, the novel's quietly perceptive heroine, is hired as a servant, turmoil follows. First, the 16-year-old narrator becomes increasingly intimate with her master. Then Vermeer employs her as his assistant--and ultimately has Griet sit for him as a model.

William and Grace share what seems to them an ideal marriage. William enjoys a successful career in a relatively famous string quartet, and Grace is a children's book illustrator. Both in their 50s, neither have any reason to believe that their relationship could be threatened. But when Andrew, the quartet's viola player, retires with arthritis, he is replaced by the beautiful Bonnie, and the remaining male trio find the internal relations of the quartet have changed dramatically. Soon William can't think of anyone or anything else, and begins to work out stratagems for inviting Bonnie to lunch or to prevent her from spending too much time with Grant, the cello player, who is his main rival for her attention. It is not long before William has even begun to think the unthinkable: that his faithful, loving wife Grace Has Got To Go... Angela Huth has been compared to Jane Austen and Mrs Gaskell, and her novels gleam with beautiful observations and utterly convincing characters. In this, her ninth novel, she is at her superlative best, casting a wise and witty eye on mid-life crises and modern marriage.