Thirteen Hours
- 560pagine
- 20 ore di lettura
The best novel to date from the leading figure in South African crime fiction.






The best novel to date from the leading figure in South African crime fiction.
Following the astonishing Plainsong, Eventide is Kent Haruf's second novel set in his imaginary landscape of Holt, Colorado.
Why would a mathematics professor from Cambridge University, renting a holiday home outside Cape Town, require a false identity and three bodyguards? And where is he, now that they are dead? The only clue to the bodyguards' murder is the snake engraved on the shell casings of the bullets that killed them. Investigating the massacre, Benny Griessel and his team find themselves being drawn into an international conspiracy with shocking implications. It seems it is not just the terrorists and criminals of Britain and South Africa who may fear the Professor's work, but the politicians too. As the body count begins to spiral viciously, Benny must put his new-found love life aside and focus on finding the one person who could give him a break in the case: a teenage pickpocket on the run in the city. But Benny is not the only person hunting for Tyrone Kleinbooi . . . Relentlessly suspenseful, topical, hard-hitting and richly rewarding, COBRA is a superb novel from an author who is acclaimed around the world as a brilliant voice in crime fiction.
In de periode van de negende eeuw tot ongeveer de tweede eeuw voor Christus ontwikkelden vier afzonderlijke streken religieuze en filosofische tradities die de mensheid tot op de dag van vandaag beïnvloeden: confucianisme en daoïsme in China, hindoeïsme en boeddhisme in India, monotheïsme in Israël, en filosofisch rationalisme in Griekenland. Deze periode, bekend als de 'axiale eeuw', speelde een cruciale rol in de spirituele ontwikkeling van de mensheid. Karen Armstrong onderzoekt in haar nieuwe boek de bijdragen van invloedrijke figuren zoals Boeddha, Socrates, Confucius en Ezekiel. Ondanks de verschillen benadrukken deze tradities een opmerkelijke overeenkomst: de nadruk op compassie boven haat en geweld. De wijzen van deze tijd streefden er niet naar om doctrines van één geloof te omarmen, maar om een leven te leiden dat geworteld was in geweldloosheid en empathie. Armstrong toont aan wat deze gelijkenis zegt over de religieuze impuls van de mens. Ze gaat verder dan spirituele 'archeologie' door te onderzoeken hoe deze oude overtuigingen een uitdaging kunnen vormen voor onze huidige beleving van religie. Dit werk is een ontdekkingsreis naar de vroege ervaringen van de mensheid, hun verlangens, verantwoordelijkheden en inspirerende oplossingen, geschreven in een erudiete en toegankelijke stijl.
It's no simple case of murder. The charred remains of a woman have been found, and Detective Lena Adams is charged with homicide. The evidence leads Sara Linton - Grant Country's resident medical examiner/pediatrician - and her husband, police chief Jeffrey Tolliver, to those who are poisoning a small town with their sickening hatred.
Qual è il misterioso fascino della grande arte sull'essere umano, indipendentemente dalla sua estrazione sociale e culturale? Perché un capolavoro riesce a turbare la nostra tranquillità e visione del mondo? Simon Schama, storico e critico d'arte, esplora l'atto della creazione artistica attraverso i ritratti di otto maestri della pittura e della scultura. Ogni artista selezionato rappresenta un momento cruciale nella sua produzione, caratterizzato da una "spasimo acuto" e da una tensione creativa. Caravaggio, ad esempio, esprime il suo senso di colpa nell'opera "Decollazione del Battista", mentre Bernini afferma il suo ruolo con "L'estasi di Santa Teresa". Rembrandt affronta la committenza nel "Giuramento dei Batavi", e artisti come David, Turner e Picasso utilizzano la pittura come strumento di impegno civile. Van Gogh e Rothko, infine, incarnano una creatività come missione suprema. Questi "drammi della creazione" coincidono con momenti di evoluzione personale, in cui l'artista si confronta con progetti di grande portata, i cui risultati espressivi muteranno per sempre la storia dell'arte. L'artista emerge come un creatore posseduto dalla scintilla divina, spesso osteggiato, ma trionfante grazie al suo genio. L'arte non solo racconta le storie di otto capolavori e personalità straordinarie, ma risponde anche all'interrogativo sul suo valore nella nostra vita.
After 602 days dry, Captain Benny Griessel of the South African police services can't take any more tragedy. So when Benny is called in to investigate a multiple homicide, it pushes him close to breaking point - a former friend and detective colleague has shot his wife and two daughters, then killed himself. Benny wants out - out of his job, his home and his relationship with his singer girlfriend, Alexa. He moves into a hotel and starts drinking. Again. But Benny's unique talent is urgently required to help investigate another crime - the high profile murder of Ernst Richter, MD of a new tech startup, Alibi, whose body is discovered buried in the sand dunes north of Cape Town. Alibi is a service that creates false appointments, documents and phone calls to enable people to cheat on their partners. It has made Richter one of the most notorious people in South Africa. Can Benny pull together the strands of his life in time to catch the killer?
"With Deon Meyer you can't go wrong. He's a writer whose work I admire, wait for and then devour." — Michael Connelly Lemmer's First Law: Don't get involved. But when Emma le Roux looks at him with pleading eyes, when the roof of his Karoo house needs big repairs, when the cause is good and just, laws can be broken. So he sighs, and says, yes, he'll ride shotgun for two rare black rhinos. Bad decision. Because on a dark and dusty road in Limpopo, they stick a Smith & Wesson Model 500 against his head. They kick him and beat him, they lie, they deceive him, and they steal his Glock, the one with his fingerprints all over it. They should have killed him. And now he goes after them--the start of a trail of violence that will run the length and breadth of a country, and touch many lives. It will leave a trail of blood through the first private-investigation dossier of former cop Mat Joubert. It's a "fifty-five," police slang for a missing persons case. It will stomp fear and horror through the life of Milla Strachan, who walked out on her rich, cheating husband and abusive teenage son to start a new life. A trail of death, stretching from the Chizarira to the Cape Waterfront. And at the end of it, nobody will be untouched.
La vita memorabile di Max Ophuls finisce violentemente a Los Angeles nel 1993,quando viene assassinato dal suo autista, un musulmano che si fa chiamare Shalimar il clown. Un delitto politico, apparentemente, visto che Ophuls era a capo dell'antiterrorismo americano. Ma forse c'è dell'altro. Ophuls è una figura di spicco, uno degli "architetti" del mondo contemporaneo, eroe della resistenza contro i nazisti in Francia, economista di fama, scrittore di successo, membro dei servizi segreti. E per un certo periodo anche ambasciatore americano in India, dove origina la sua rovina, dovuta a un'altra delle sue qualità: quella di amante irresistibile e vorace.
'I'll shoot a policeman every day until you arrest the murderer of Hanneke Sloet'. Shortly after the South African Police Services receive this threatening email, a policeman is shot by a sniper and recovering alcoholic Benny Griessel is ordered to reopen the Sloet case.
Hoe veranderde Steve Jobs de wereld en wat maakte hem zo bijzonder? Graphic novel over het leven van de oprichter van Apple.
Eléazard von Wogau, héros inquiet de cette incroyable forêt d’histoires, est correspondant de presse au fin fond du Nordeste brésilien. On lui laisse un jour un manuscrit, biographie inédite d’un célèbre jésuite de l’époque baroque. Commence alors une enquête à travers les savoirs et les fables qui n’est pas sans incidences sur sa vie privée. Comme si l’extraordinaire plongée dans l’univers d’Athanase Kircher se répercutait à travers les aventures croisées d’autres personnages, tels Elaine, archéologue en mission improbable dans la jungle du Mato Grosso, Moéma, étudiante à la dérive, ou bien Nelson, jeune gamin infirme des favelas de Pirambú qui hume le plomb fondu de la vengeance. Nous sommes au Brésil. Nous sommes aussi dans la terra incognita d’un roman monstre. On songe à Borges et Cortázar, à Italo Calvino ou Umberto Eco, ou encore Potocki et son Manuscrit trouvé à Saragosse, sans jamais épuiser la réjouissante singularité de ce roman palimpseste qui joue à merveille des mises en abyme et des vertiges spéculaires. « Umberto Eco revu par Indiana Jones chez Malcolm Lowry, avec un zest d’African Queen et de Lévi-Strauss chez les Nambikwara. » Patrick Grainville, Le Figaro littéraire.
The romance of two Indian musicians who form a band. He is Ormus, a composer, she is Vina, an American-raised singer, and their romance plays out across continents, parallel universes and different lives-- she dying and returning for a second life.
When the rich and famous visit South Africa, their first port of call is often Body Armor, the personal security company offering two types of protection: the big and intimidating muscle men called Gorillas or the lean and hungry former government body guards, referred to as Invisibles. Lemmer is a freelance Invisible. The tiny and beautiful Emma le Roux, a brand consultant from Cape Town, wants to hire him. He needs the money, so he listens to her story. Lemmer’s First General Law is: Don’t get involved. But he has never failed as a body guard and he’s also grown a little too fond of Emma. He uncovers simmering racial and political tensions, greed, corruption, and a network of eco-terrorists. He follows the leads until he finds what he’s after: The people who attacked Emma. Getting to them will be extremely dangerous, and exposing them could have international political implications. If he fails, both he and Emma will end up dead. But Lemmer is sick and tired of being invisible. He goes after them, against all odds.
From the Orange Prize-winning author of We Need to Talk About Kevin 'Enjoyably abrasive... a compelling read... sardonic and elegant' Evening Standard 'Scabrously funny... few authors can be as entertainingly problematic as Shriver' Guardian
"The first of four novels in a shape-shifting series, wide-ranging in timescale and light-footed through histories. Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour-hit of Pop Art - via a bit of very contemporary skulduggery and skull-diggery - Autumn is a witty excavation of the present by the past. The novel is a stripped-branches take on popular culture, and a meditation, in a world growing ever more bordered and exclusive, on what richness and worth are, what harvest means. Autumn is part of the quartet Seasonal- four stand-alone novels, separate yet interconnected and cyclical (as the seasons are), exploring what time is, how we experience it, and the recurring markers in the shapes our lives take and in our ways with narrative."
Un misterioso viaggiatore dai capelli biondi arriva a Sikri, sede della corte Mogol, e chiede udienza al sovrano Jalalluddin Muhammed Akbar, detto Akbar il Grande. Lo straniero afferma di venire da una sconosciuta, remotissima città di nome Firenze e di avere una storia tanto meravigliosa quanto veritiera da raccontare: una storia che lega i destini della misteriosa capitale d'Occidente da cui proviene a quelli della discendenza del monarca indiano. Inizia così un racconto che, unendo una pirotecnica inventiva a una minuziosissima documentazione, si snoda tra figure storiche gigantesche, una fra tutte Machiavelli, e vede tra i protagonisti l'enigmatica Qara Köz, Madama Occhi Neri, principessa destinata a sconvolgere con la sua esotica e rara bellezza la raffinata corte medicea. Quanto c'è di vero nel racconto del viaggiatore, il quale afferma di non essere altri che il figlio di Qara Köz? E se ciò che racconta è vero, che ne è stato della principessa? Non si tratterà invece di un bugiardo che, in quanto tale, merita solo la morte? Dopo il successo di Shalimar il clown, torna uno dei massimi autori angloindiani viventi con un romanzo che indaga con magistrale sapienza i mille, inesplorati legami che uniscono una delle massime stagioni storiche europee, il Rinascimento florentino, a una delle corti più splendide d'Asia, immortalata all'apice della sua fioritura.
"Oddio, ce la farò?" Quante volte una domanda come questa si ripete nella giornata di una donna, evidenziando ciò che è diventato un problema cronico: la mancanza di tempo. Come si fa a conciliare il lavoro in una società finanziaria, un marito talvolta noioso, due bambini piccoli e bisognosi di cure, senza dimenticare un amante on-line? Sono questi i crucci in cui si dibatte quotidianamente Kate Reddy, una trentacinquenne in carriera che conta i minuti come altre donne contano le calorie, costretta a destreggiarsi tra appuntamenti di lavoro, impegni familiari, massaggi, sedute dal dentista e mille altre faccende. È una donna di oggi, combattuta tra il desiderio di realizzarsi e la frustrazione degli inevitabili sensi di colpa. E tutto lascia presagire che prima o poi la situazione non potrà che precipitare. Ma Kate non si abbatte facilmente e ha dalla sua un'arma assolutamente invidiabile: l'ironia.
Too young to get whisked away by a Stannah Stairlift, or to enjoy the luxury of a walk-in bath, Marie is all the same getting on in years - and she's thrilled about it. She's a bit preoccupied about whether to give up sex, but there are compensations, like falling in love with her baby grandson, and maybe falling in love with someone else too.
The Woman in the Blue Cloak is a brilliant investigation which will thrill and entertain fans of Deon Meyer's much-loved detective Benny Griessel.
Na de dood van haar ouders en haar geliefde komt een jonge vrouw met zichzelf in het reine als ze in het huidige Theresienstadt cello speelt.
In de periode van de negende eeuw tot ongeveer de tweede eeuw voor Christus ontwikkelden vier afzonderlijke regio's religieuze en filosofische tradities die de mensheid tot op heden beïnvloeden: confucianisme en daoïsme in China, hindoeïsme en boeddhisme in India, monotheïsme in Israël, en filosofisch rationalisme in Griekenland. Historici verwijzen naar deze tijd als de 'axiale eeuw' vanwege de cruciale rol in de spirituele ontwikkeling van de mens. In haar nieuwe boek onderzoekt Karen Armstrong de bijdragen van belangrijke figuren zoals Boeddha, Socrates, Confucius en Ezekiel. Ze benadrukt de opmerkelijke overeenkomsten binnen deze tradities, waarbij de nadruk ligt op compassie boven haat en geweld. De wijzen uit deze periode streefden niet naar dogma's, maar naar een leven in harmonie met anderen. Religie was voor hen synoniem met compassie. Armstrong verkent wat deze overeenkomsten zeggen over de menselijke zoektocht naar spiritualiteit en gaat verder dan alleen historische analyse. Ze onderzoekt hoe deze oude overtuigingen ons kunnen uitdagen in onze huidige benadering van religie. Dit boek is een ontdekkingsreis naar de vroegste ervaringen, verlangens en oplossingen van de mensheid, geschreven in Armstrongs kenmerkende, toegankelijke stijl.