Mea M. Flothuis Libri

It's known as the science of secrecy: cryptography, the encoding and decoding of private information. Singh follows the evolution of secret writing with a clarity that lets the reader enjoy the captivating story while easily absorbing the details of cryptography.

Kritische analyse van de maatschappelijke bejegening van (aanstaande) moeders, met name in de Verenigde Staten.

Establishing Dibdin as a master of the historical mystery, "A Rich Full Death" begins in 1855 Florence at the hanging of Isabel Eaken. Engrossing, lively, lush with details, this evocative story has been seamlessly created from both fact and fancy, characters both imagined and real.

Professore universitario e critico di prestigio, David Zimmer trascorre le sue giornate in uno stato di semicoscienza alcolica davanti alla tv da quando ha perso moglie e figli in un incidente aereo. Ma una sera un vecchio film comico del cinema muto lo scuote dal torpore: il regista del film, Hector Mann, è scomparso nel 1929 all'apice della sua carriera. Affascinato, Zimmer decide di ricostruire la vicenda e, dopo accurate documentazioni, pubblica un libro sull'argomento. Ma, a un anno dalla pubblicazione, una lettera spedita da una cittadina del New Mexico arriva a confondere tutte le sue conclusioni: è firmata dalla moglie di Mann e dice che il regista sarebbe lieto di incontrare il suo biografo.

Attratto da un richiamo fatale nel cuore dell'Africa, il giovane Salim, indiano di fede musulmana, lascia la costa orientale del continente per rilevare da un amico di famiglia un eccentrico bazar in riva a un fiume punteggiato dalle «isole scure» dei giacinti e circondato da un paesaggio primordiale di foreste, torrenti nascosti e impervi, canali infestati da zanzare e solcati da chiatte, buganvillee rigogliose, tramonti velati di nuvole lungo le rapide. Qui cercherà di contribuire, con pochi sodali, all'evoluzione di una società travolta da recenti tumulti. E in un primo momento la comunità dell'«ansa del fiume» – così come l'intero paese – sembrerà avviarsi a un promettente progresso. Ma quello slancio innovatore, fagocitato dal Grande Uomo (nel quale non è difficile riconoscere il dittatore Mobutu), si convertirà presto in un futurismo grottesco (il «radioso avvenire»); e, unito alla feroce rabbia accumulata nel periodo coloniale e a un equivoco ritorno alla ‘nazione autentica’, susciterà un sistema di controllo paranoico e una catena di cieche rappresaglie – consegnando Salim a un destino di apolide senza patria e senza vera identità. Sull'ansa del fiume non è solo uno dei libri più fortunati di Naipaul e il suo più esplicito omaggio all'amato Conrad: ma è quello in cui il suo sguardo si concreta, più che in ogni altro, in una prosa iperrealista, ipnotica e allucinata.

'I am following the traces of a great jewel. All its owners are dead, and the jewel is lost...' Precious stones are thousands of years old. They pass through the hands of owners and smugglers, merchants and thieves. Often the hands leave no trace, but they are there all the same: they leave impressions, invisible, like atoms of hydrogen drawn to the surface of a diamond. The Love of Stones charts three lives linked by one such jewel. Katherine Sterne searches the goldsmiths' quarters and hidden archives of contemporary London, Tokyo and Istanbul, following the trail of a long-lost jewel: a brooch of rubies, diamonds and pearls once worn by Queen Elizabeth I. Two hundred years earlier, a pair of Iraqi Jewish brothers travel to London, their fortunes made by an unearthed jar of mysterious and priceless stones. An epic story spanning two continents and six centuries, The Love of Stones follows three very different people, each in their own way consumed by the same desire. At the heart of their lives is the Three Brethren, the legendary jewel that binds them together in a narrative as clear and irresistible as the facets of a diamond.

Robin begins to realize the intricacy of what it means to be human when she rescues an innocent man mistaken for a beast and takes him home with her.

The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.

Originally written under a pseudonym, this thrilling novel of passion in post-World War II London was banned upon its publication in the late 1960s, and is only now being republished under the author's real name. Edith Templeton creates an indelible character in the smartly dressed Louisa, a savvy young woman in the midst of a divorce who meets a charismatic man in a pub and within an hour has been sexually conquered by him on a garden bench. Thus begins her baffling but magnetic love affair with, and virtual enslavement to, Richard Gordon. Gordon, a psychiatrist, keeps Louisa in his thrall with his almost omniscient ability to see through her and she, in turn, is gripped by the deep, unexpected pleasure of complete submission. As they venture further and further into the depths -- both psychological and sexual -- she begins, for the first time, to understand her troubled history and the self that has emerged from it. In her clean, precise style, with every social nuance and motive exquisitely observed, Templeton delivers a tightly wound drama, unsparingly forthright in its description of how this form of love can bring incomparable rapture. Louisa's unsettling story has more than the ring of truth to it: it is told with urgency and relish, and its outcome, which leaves Louisa enlightened and changed forever, is profoundly satisfying.