Gerard Kruisman Libri

Four women work at the Danish Centre for Genocide Studies. When two of them start receiving death threats, they suspect they are being stalked by Mirko Zigic, a Bosnian torturer and war criminal. But perhaps he is not the person behind the threats - it could be someone in their very midst. Much of the drama created revolves not only around the scary sense of a killer prowling in the shadows but also around the manipulative games being played between the women in the office as they come under pressure and turn on each other. The irony is that these betrayals and persecutions are taking place amongst professionals who daily analyse cases of appalling cruelty. Now and again, the narrative is broken with extracts from 'articles' dealing with crimes against humanity and the pyschology of evil. Whilst the women apply this to their work with genocide (and the killer), there are parallels to their own behaviour. It's a fabulous pacy read - a real page-turner that resonates with deeper questions.

From Vladimir Voinovich, one of the great satirists of contemporary Russian literature, comes a new comic novel about the absurdity of politics and the place of the individual in the sweep of human events. Monumental Propaganda , Voinovich’s first novel in twelve years, centers on Aglaya Stepanovna Revkina, a true believer in Stalin, who finds herself bewildered and beleaguered in the relative openness of the Khrushchev era. She believes her greatest achievement was to have browbeaten her community into building an iron statue of the supreme leader, which she moves into her apartment after his death. And despite the ebb and flow of political ideology in her provincial town, she stubbornly, and at all costs, centers her life on her private icon. Voinovich’s humanely comic vision has never been sharper than it is in this hilarious but deeply moving tale–equally all-seeing about Stalinism, the era of Khrushchev, and glasnost in the final years of Soviet rule. The New York Times Book Review called his classic work, The Life & Extraordinary Adventures of Private Ivan Chonkin , “a masterpiece of a new form–socialist surrealism . . . the Soviet Catch-22 written by a latter-day Gogol." In Monumental Propaganda we have the welcome return of a truly singular voice in world literature. From the Hardcover edition.

Per la polizia non ci sono dubbi: è stato un incidente. Il piccolo Esajas correva sul tetto innevato quando è caduto, rimanendo ucciso. Ma Smilla non è convinta: lei viene dalla Groenlandia, e la neve la conosce bene, sa leggervi le tracce, e ora le impronte del bambino le dicono in modo chiaro che non si è trattato di un incidente... Mentre Copenaghen si prepara a celebrare il Natale, Smilla inizia a investigare, trovandosi pericolosamente a confronto con una serie di inquietanti personaggi, coinvolta in un'indagine destinata a portare lontano, in viaggio su una nave la cui meta misteriosa è un punto deserto della calotta polare. Perché là, fra quei ghiacci che conosce, teme e rispetta, è nascosta la verità di cui Smilla va in cerca. La verità che forse, inconsciamente, ha sempre inseguito. Da questo best seller del 1992 il regista Bille August ha tratto il film omonimo nel 1997. [Fonti: G.M. - Peter Høeg (Copenaghen 1957) è uno scrittore danese. Il suo estro fantastico si presta a una decostruzione romanzesca dei presunti valori occidentali. Ha conosciuto il successo mondiale con il giallo «postcoloniale» Il senso di Smilla per la neve (1992), ma già La storia dei sogni danesi (1988), il libro d'esordio, capovolge in modo parodistico alcuni miti della cultura nazionale.

From the bestselling author of Smilla's Sense of Snow comes his first novel--an inspired and often hilarious Danish family saga suffused with satire and magical realism.

Tijdens een receptie komt de schrijver August zijn grote jeugdliefde tegen, de fotografe Alma. Dat veroorzaakt een stroom aan herinneringen: zijn stormachtige verliefdheid; zijn wanhoop toen Alma hem verliet voor zijn vriend, de kunstschilder Gustav; zijn tijd met Harriët, die hem uiteindelijk ook verliet. De hartstocht tussen August en Alma bloeit weer op, maar wanneer zij erachter komt dat Gustav op sterven ligt verlaat zij August opnieuw.