Bookbot

Brian McKernan

    Producer to Producer
    Digital Cinema
    • Digital Cinema

      The Revolution in Cinematography, Post-Production, and Distribution

      • 384pagine
      • 14 ore di lettura

      Publisher's Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.THE INSIDER'S GUIDE TO THE DIGITAL REVOLUTION READERS ON BRIAN McKERNAN***** "A must for anyone who cares about navigating the new world of digital content."* ***** "The digital revolution 'Bible' ... an invaluable resource for anyone seriously interested in video, TV, streaming, and movies, and ... it's a great read."* ***** "A must-have ... reveals the lessons learned from decades of failure and success ... and gives roadmaps to the future."* * On Creating Digital Video Production for Web, Broadcast, and Cinema, co-edited by Brian McKernan INSIDE THE PARADIGM SHIFT THAT'S REMAKING THE MOTI0N PICTURE INDUSTRYNot since the advent of sound has technology so greatly impacted motion pictures. With its huge cost-saving potential, digital technology can alter every aspect of the movie-making process, from shooting through postproduction to delivery and exhibition. The digital cinema revolution is the result of years of progress in the technologies of film, computer graphics, and high-definition television. Now Brian McKernan, founding editor of Digital Cinema magazine, provides an up-to-date look at how new digital technologies are reshaping the movie industry. You'll also find insights on the cost-vs.-quality controversy, the impact of digital cinema on creative freedom, and the integration of film and digital from such leading filmmakers as George Lucas, Robert Rodriguez, and Michael Ballhaus ASC.

      Digital Cinema
    • Producer to Producer

      Insider Tips for Success in Media - 2nd Edition

      • 352pagine
      • 13 ore di lettura

      Producer to Producer collects Michael Wiese's cutting-edge insights on producing, financing, marketing, and creativity. These informal and entertaining articles, drawn from Mr. Wiese's own extensive experiences and those of other successful video and television producers, were first published in his Videography Magazine column. Among the second edition's twenty-one new Starting Out; Independent Producing; Home Studios; Directing My Way Out of a Paper Bag; Legal Read the Fine Print; Read Any Good Videos Recently?; Creating a Hit; Network Special; Direct-to-Video Movies; Film and Video on the Internet.

      Producer to Producer