Douglas Coupland Ordine dei libri (cronologico)

NATIONAL BESTSELLER The first new work of fiction since 2013 from one of Canada's most successful, idiosyncratic and world-defining writers, Douglas Coupland. He's called it Binge because it's impossible to read just one. Imagine feeling 100% alive every moment of every minute of the day! Maybe that's how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there's no sliding scale of life. You're either alive, or you're not. Or you're dead or you're not. Thirty years after Douglas Coupland broke the fiction mould and defined a generation with Generation X, he is back with Binge, 60 stories laced with his observational profundity about the way we live and his existential worry about how we should be living: the very things that have made him such an influential and bestselling writer. Not to mention that he can also be really funny. Here the narrators vary from story to story as Doug catches what he calls "the voice of the people," inspired by the way we write about ourselves and our experiences in online forums. The characters, of course, are Doug's own: crackpots, cranks and sweetie-pies, dad dancers and perpetrators of carbecues. People in the grip of unconscionable urges; lonely people; dying people; silly people. If you love Doug's fiction, this collection is like rain on the desert.

The future is no longer the distant, mythical condition it once was to us. Technology has placed it at our fingertips. It wasn’t so long ago that we marveled at devices that could tell us where we were at that exact moment; it became odd when they recently began to tell us where we would soon be. The most important issue, however, might not be whether a future coproduced and made readily available to us by technology is good or bad, but rather how we want to relate to it as human beings. The three essays by Douglas Coupland collected in this volume address this question and describe how the technological advances that are currently radically revising our notion of the future are shaping us as much as we are shaping them.

A highly provocative and visionary exploration of our rapidly evolving digital era, this work extends Marshall McLuhan's analysis of technology's influence on culture to the present day. The authors navigate a world redefined by the Internet, coining the term 'extreme present' to describe our current experience. This quick-fire paperback captures the essence of our digital lives through a blend of images, language, and perceptions. They outline five characteristics of the Extreme Present, create a glossary of new terms reflecting our feelings, and feature over 30 contemporary artists' illustrations. The striking graphic design by Wayne Daly mirrors the surreal, juxtaposed nature of digital culture, making it feel like an insightful email to the reader. This paper portrait of Now reveals how the Internet has not only altered our brains but also the planet itself, presenting a fresh history of the world that fits perfectly in your back pocket. Contributions from a diverse array of artists enhance the narrative, showcasing a rich tapestry of contemporary thought and creativity.

Douglas Coupland's new book Bit Rot is published on the occasion of his eponymous exhibition at Witte de With, Rotterdam in autumn/winter 2015/16 (11 September 2015 - 3 January 2016).The book combines fictional short stories with essays, and creates a parallel narrative to the exhibition itself: pieces in the exhibition become materializations of words, and some of the words in this book are a dematerialization of objects in the show.Bit Rot addresses subjects such as the death of the middle class, the rise of the Internet and its impact on our lives, and in short, evinces a shedding of twentieth-century notions of what the future is and could be.The book is named after a phenomenon in digital archiving that describes the way digital files of any sort spontaneously (and quickly) decompose. It also describes, Coupland explains, the way his brain has been feeling since 2000.

#Artselfie opens with an incisive remark by Douglas Coupland, who warns us that "Selfies are mirrors we can freeze. ... Selfies allow us to see how others look at themselves in a mirror making their modeling face when nobody's around-- except these days, everybody's around everywhere all the time." #artselfie emerged in 2012, right as the recent photographic phenomenon known as the selfie reached its tipping point. It was subsequently activated by New York based collective DIS, as an aggregated mode of art-tourism and documentation. These selfies and their dialogue with art are an opportunity to revisit fundamental questions such as: if art is a mirror, what happens when we place ourselves between it and the camera? The traditional trajectory from photographer to subject via the camera has been subverted, and with it, the nature of images and our perception of them. The #artselfie makes every participant both protagonist and collaborator, consumer and producer. Including an introduction by Douglas Coupland (author of Generation X: Tales for an Accelerated Culture and ruthless observer of contemporary society) and a discussion between Simon Castets (director of the Swiss Institute in New York and co-founder of the 89+ project) and DIS, #artselfie allows us to experience how significant -- and seductive -- this viral phenomenon is

A razor-sharp portrait of a morally bankrupt and gleefully wicked modern man, Worst. Person. Ever. is Douglas Coupland's gloriously filthy, side-splittingly funny and unforgettable new novel. Meet Raymond Gunt. A decent chap who tries to do the right thing. Or, to put it another way, the worst person ever: a foul-mouthed, misanthropic cameraman, trailing creditors, ex-wives and unhappy homeless people in his wake. Men dislike him, women flee from him. Worst. Person. Ever. is a deeply unworthy book about a dreadful human being with absolutely no redeeming social value. Gunt, in the words of the author, "is a living, walking, talking, hot steaming pile of pure id." He's a B-unit cameraman who enters an amusing downward failure spiral that takes him from London to Los Angeles and then on to an obscure island in the Pacific where a major American TV network is shooting a Survivor-style reality show. Along the way, Gunt suffers multiple comas and unjust imprisonment, is forced to re-enact the 'Angry Dance' from the movie Billy Elliot and finds himself at the centre of a nuclear war. We also meet Raymond's upwardly failing sidekick, Neal, as well as Raymond's ex-wife, Fiona, herself 'an atomic bomb of pain'.Even though he really puts the 'anti' in anti-hero, you may find Raymond Gunt an oddly likeable character.

Nine short non-fiction pieces with a forward by Shumon Basar.

In This Explains Everything, John Brockman, founder and publisher of Edge.org, asked experts in numerous fields and disciplines to come up with their favorite explanations for everyday occurrences. Why do we recognize patterns? Is there such a thing as positive stress? Are we genetically programmed to be in conflict with each other? Those are just some of the 150 questions that the world's best scientific minds answer with elegant simplicity. With contributions from Jared Diamond, Richard Dawkins, Nassim Taleb, Brian Eno, Steven Pinker, and more, everything is explained in fun, uncomplicated terms that make the most complex concepts easy to comprehend.

Douglas Coupland redefines the biography genre in his account of communication guru Marshall McLuhan. With humor and literary brilliance, Coupland presents the life of this eccentric thinker, helping us understand how McLuhan's ideas relate to our interconnected 21st-century lives.

A real-time five-hour story set in an airport cocktail lounge during a global disaster. It explores the modern crises of time, human identity, society, religion and the afterlife.

The cult storyteller's most original, outrageous, and heart-rending work yeta wicked novel perfect for (grown-up) fans of Tim Burton, Neil Gaiman, Scarlett Thomas, The Mighty Boosh, and Roald Dahl In a room above a bizarre German museum, far from the prying eyes of strangers, lives the Old Man. Caretaker of the museum by day, by night he enjoys the sound of silence, broken by the occasional crunch of a spider between his blackened teeth. The Old Man, the respectable Doctor Ernst Frohlicher, his greedy dog Hans, and a cast of grotesque and hilarious townsfolk all find their lives thrown together as they uncover a crime so outrageous that it will shock the world. From its sinister opening to its explosive denouement, this dark tale blends lavishly entertaining storytelling with Rhodes's macabre imagination, entrancing originality, and magical touch.

Strani eventi accadono intorno ad Ariel Manto, studentessa della British University. Prima scompare il suo professore, poi l'università crolla davanti ai suoi occhi, infine in un negozio di libri usati si imbatte in una copia di un libro rarissimo e maledetto, "Che fine ha fatto Mr Y.". Scritto da Thomas Lumas, uno scienziato del XIX secolo che compiva esperimenti sui poteri della mente umana, il libro è in grado di trasportare chi lo legge nella "Troposfera", dove è possibile viaggiare nel tempo e nello spazio entrando nelle menti di altri uomini. È una porta dimensionale che schiude un mondo di conoscenze, ma anche molti pericoli da cui Ariel dovrà fuggire... o è soltanto un'affascinante allucinazione? Il romanzo di Scarlett Thomas intreccia la suspense di un thriller con le visioni della fantascienza, realizzando una sorta di cocktail di filosofia, fisica, scienza e letteratura.

The first and only story of love and looming apocalypse set in the aisles of an office supply superstore. In Douglas Coupland’s ingenious novel—sort of a Clerks-meets-Who’s Afraid of Virginia Woolf—we meet Roger, a divorced, middle-aged “aisles associate” at a Staples outlet, condemned to restocking reams of twenty-lb. bond paper for the rest of his life. And then there’s Roger’s co-worker Bethany, who’s at the end of her Goth phase, and young enough to be looking at fifty more years of sorting the red pens from the blue in Aisle Six. One day, Bethany comes across Roger’s notebook in the staff room. When she opens it up, she discovers that this old guy she’s never considered as quite human is writing mock diary entries pretending to be her—and spookily, he is getting her right. She also learns he has a tragedy in his past—and suddenly he no longer seems like just a paper-stocking robot with a name tag. These two retail workers strike up a peculiar and touching epistolary relationship, reminding us that love, death and eternal friendship can all transpire where we least expect them. Through a complex layering of narratives, The Gum Thief highlights number-one bestselling author Douglas Coupland’s eye for the comedy, loneliness and strange comforts of contemporary life.

Very evil ... Very funny. A lethal joyride into today's new breed of techno geeks, Coupland's forthcoming novel updates Microserfsfor the age of Google.

Our homes are an extension of our personalities. Peter York looks at how some of history's most alarming men and women have chosen to decorate their homes, exploring the private tastes of these public figures in the broader context of 20th century interiors and architecture.

Following the hugely acclaimed bestseller Hey Nostradamus comes a major new novel from Douglas Coupland: the wonderfully warm, funny, life-affirming story of Liz Dunn, a woman who has spent her whole life alone and lonely - until now... This is a major work of commercial literary fiction from an author who just gets better and better.

In 1988, a catastrophic episode of teen violence changes a suburban community forever. "Hey Nostradamus!" is Coupland's keenly observant exploration of this tragic landscape.

In a cheap motel an hour from Cape Canaveral, Janet Drummond takes her medication, and does a rapid tally of the wereabouts of her children. Wade has spent the night in jail; suicidal Bryan is due to arrive at any moment with his vowel-free girfriend, Shw; and then there is Sarah, 'a bolt of lightning frozen in midflash' - here in Orlando to be the star of Friday's shuttle mission. With Janet's ex-husband and his trophy wife also in town, Janet spends a moment contemplating her family, and where it all went wrong.

The brilliant new novel from the bestselling cult author of them all.

A collection of Douglas Coupland's articles and short fiction pieces. It offers Coupland's thoughts on topics such as the life and death of Kurt Cobain, and the bizarre behaviour of Harolds - teenagers obsessed with hanging about in cemeteries.

From the acclaimed author of Hey Nostradamus! comes a wonderful comic novel with 'more one-liners than a decade of Woody Allen films' (Guardian), about the scramble for love and success in a brave new world... Bill is wise. Bill is kind. Bill is benevolent. Bill, Be My Friend... Please! At computer giant Microsoft, Dan, Susan, Abe, Todd and Bug are struggling to get a life. The job may be super cool, the pay may be astronomical, but they're heading nowhere, and however hard they work, however many shares they earn, they're never going to be as rich as Bill. And besides, with all the hours they're putting in, their best relationships are on e-mail. Something's got to give...

This collection of stories cuts through the hype of modern living, travelling inward to the elusive terrain of dreams and nightmares.

Tyler Johnson is an apocalyptic entrepreneur in the making. His memories begin with Ronald Reagan. With his neat girlfriend, smart jokes and shampoo collection, he works at the nuclear power plant where his hippie parents used to demonstrate, plotting his fortune. But fortune has other plans - the return of a Paris summer fling, one of the 'low-ambition Euro-teens', who takes Tyler on the road to the shimmering dreams of L.A.

Andy, Dag and Claire have been handed a society beyond their means. Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fallout of yuppies, recession, crack and Ronald Reagan, they represent the new generation - Generation X. Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working in no future McJobs in the service industry. Underemployed, overeducated and intensely private and unpredicatable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories: disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposible Swedish furniture.

Canada, fine anni Settanta. Cinque adolescenti impegnati a dedicarsi airituali dell'adolescenza: sciate notturne, party-finimondo, i primi approcciamorosi. Una di loro, Karen, è perseguitata da strani sogni spesso simili avisioni del futuro. Durante una gelida notte di dicembre Karen entra in coma apparentemente senza motivo. Rimarrà in coma per i venti anni successivi; l'innocenza svanisce, la spensieratezza adolescenziale sfuma in età adulta, eil gruppo di amici si muove tra alcolismo, droghe, yuppismo. Ma quando Karen si risveglia, inconsapevole dei mutamenti avvenuti, annuncia che la fine del mondo è più vicina di quanto non si immagini. Ma dalla catastrofe emerge una possibilità, una seconda occasione per restituire senso all'esistenza.