Douglas Coupland Ordine dei libri (cronologico)

NATIONAL BESTSELLER The first new work of fiction since 2013 from one of Canada's most successful, idiosyncratic and world-defining writers, Douglas Coupland. He's called it Binge because it's impossible to read just one. Imagine feeling 100% alive every moment of every minute of the day! Maybe that's how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there's no sliding scale of life. You're either alive, or you're not. Or you're dead or you're not. Thirty years after Douglas Coupland broke the fiction mould and defined a generation with Generation X, he is back with Binge, 60 stories laced with his observational profundity about the way we live and his existential worry about how we should be living: the very things that have made him such an influential and bestselling writer. Not to mention that he can also be really funny. Here the narrators vary from story to story as Doug catches what he calls "the voice of the people," inspired by the way we write about ourselves and our experiences in online forums. The characters, of course, are Doug's own: crackpots, cranks and sweetie-pies, dad dancers and perpetrators of carbecues. People in the grip of unconscionable urges; lonely people; dying people; silly people. If you love Doug's fiction, this collection is like rain on the desert.

The future is no longer the distant, mythical condition it once was to us. Technology has placed it at our fingertips. It wasn’t so long ago that we marveled at devices that could tell us where we were at that exact moment; it became odd when they recently began to tell us where we would soon be. The most important issue, however, might not be whether a future coproduced and made readily available to us by technology is good or bad, but rather how we want to relate to it as human beings. The three essays by Douglas Coupland collected in this volume address this question and describe how the technological advances that are currently radically revising our notion of the future are shaping us as much as we are shaping them.

A highly provocative and visionary exploration of our rapidly evolving digital era, this work extends Marshall McLuhan's analysis of technology's influence on culture to the present day. The authors navigate a world redefined by the Internet, coining the term 'extreme present' to describe our current experience. This quick-fire paperback captures the essence of our digital lives through a blend of images, language, and perceptions. They outline five characteristics of the Extreme Present, create a glossary of new terms reflecting our feelings, and feature over 30 contemporary artists' illustrations. The striking graphic design by Wayne Daly mirrors the surreal, juxtaposed nature of digital culture, making it feel like an insightful email to the reader. This paper portrait of Now reveals how the Internet has not only altered our brains but also the planet itself, presenting a fresh history of the world that fits perfectly in your back pocket. Contributions from a diverse array of artists enhance the narrative, showcasing a rich tapestry of contemporary thought and creativity.

Coupland adopts...an Andy Warholish mode, somewhere between mocking, lamenting, celebrating even the most troubling aspects of postmodernity. Times Literary Supplement

#Artselfie opens with an incisive remark by Douglas Coupland, who warns us that "Selfies are mirrors we can freeze. ... Selfies allow us to see how others look at themselves in a mirror making their modeling face when nobody's around-- except these days, everybody's around everywhere all the time." #artselfie emerged in 2012, right as the recent photographic phenomenon known as the selfie reached its tipping point. It was subsequently activated by New York based collective DIS, as an aggregated mode of art-tourism and documentation. These selfies and their dialogue with art are an opportunity to revisit fundamental questions such as: if art is a mirror, what happens when we place ourselves between it and the camera? The traditional trajectory from photographer to subject via the camera has been subverted, and with it, the nature of images and our perception of them. The #artselfie makes every participant both protagonist and collaborator, consumer and producer. Including an introduction by Douglas Coupland (author of Generation X: Tales for an Accelerated Culture and ruthless observer of contemporary society) and a discussion between Simon Castets (director of the Swiss Institute in New York and co-founder of the 89+ project) and DIS, #artselfie allows us to experience how significant -- and seductive -- this viral phenomenon is

A razor-sharp portrait of a morally bankrupt and gleefully wicked modern man, Worst. Person. Ever. is Douglas Coupland's gloriously filthy, side-splittingly funny and unforgettable new novel. Meet Raymond Gunt. A decent chap who tries to do the right thing. Or, to put it another way, the worst person ever: a foul-mouthed, misanthropic cameraman, trailing creditors, ex-wives and unhappy homeless people in his wake. Men dislike him, women flee from him. Worst. Person. Ever. is a deeply unworthy book about a dreadful human being with absolutely no redeeming social value. Gunt, in the words of the author, "is a living, walking, talking, hot steaming pile of pure id." He's a B-unit cameraman who enters an amusing downward failure spiral that takes him from London to Los Angeles and then on to an obscure island in the Pacific where a major American TV network is shooting a Survivor-style reality show. Along the way, Gunt suffers multiple comas and unjust imprisonment, is forced to re-enact the 'Angry Dance' from the movie Billy Elliot and finds himself at the centre of a nuclear war. We also meet Raymond's upwardly failing sidekick, Neal, as well as Raymond's ex-wife, Fiona, herself 'an atomic bomb of pain'.Even though he really puts the 'anti' in anti-hero, you may find Raymond Gunt an oddly likeable character.

Nine short non-fiction pieces with a forward by Shumon Basar.

In This Explains Everything, John Brockman, founder and publisher of Edge.org, asked experts in numerous fields and disciplines to come up with their favorite explanations for everyday occurrences. Why do we recognize patterns? Is there such a thing as positive stress? Are we genetically programmed to be in conflict with each other? Those are just some of the 150 questions that the world's best scientific minds answer with elegant simplicity. With contributions from Jared Diamond, Richard Dawkins, Nassim Taleb, Brian Eno, Steven Pinker, and more, everything is explained in fun, uncomplicated terms that make the most complex concepts easy to comprehend.

Douglas Coupland redefines the biography genre in his account of communication guru Marshall McLuhan. With humor and literary brilliance, Coupland presents the life of this eccentric thinker, helping us understand how McLuhan's ideas relate to our interconnected 21st-century lives.

A real-time five-hour story set in an airport cocktail lounge during a global disaster. It explores the modern crises of time, human identity, society, religion and the afterlife.

The cult storyteller's most original, outrageous, and heart-rending work yeta wicked novel perfect for (grown-up) fans of Tim Burton, Neil Gaiman, Scarlett Thomas, The Mighty Boosh, and Roald Dahl In a room above a bizarre German museum, far from the prying eyes of strangers, lives the Old Man. Caretaker of the museum by day, by night he enjoys the sound of silence, broken by the occasional crunch of a spider between his blackened teeth. The Old Man, the respectable Doctor Ernst Frohlicher, his greedy dog Hans, and a cast of grotesque and hilarious townsfolk all find their lives thrown together as they uncover a crime so outrageous that it will shock the world. From its sinister opening to its explosive denouement, this dark tale blends lavishly entertaining storytelling with Rhodes's macabre imagination, entrancing originality, and magical touch.

Strani eventi accadono intorno ad Ariel Manto, studentessa della British University. Prima scompare il suo professore, poi l'università crolla davanti ai suoi occhi, infine in un negozio di libri usati si imbatte in una copia di un libro rarissimo e maledetto, "Che fine ha fatto Mr Y.". Scritto da Thomas Lumas, uno scienziato del XIX secolo che compiva esperimenti sui poteri della mente umana, il libro è in grado di trasportare chi lo legge nella "Troposfera", dove è possibile viaggiare nel tempo e nello spazio entrando nelle menti di altri uomini. È una porta dimensionale che schiude un mondo di conoscenze, ma anche molti pericoli da cui Ariel dovrà fuggire... o è soltanto un'affascinante allucinazione?

In Douglas Coupland's ingenious new novel - Clerks meets Who's Afraid of Virginia Woolf - we meet Roger, a divorced, middle-aged 'Aisles Associate' at a Staples superstore, condemned to restocking reams of 20lb bond paper for the rest of his life. Roger's co-worker, Bethany, in her early 20s and approaching the end of her Goth phase, faces fifty more years of sorting the red pens from the blue in Aisle Six. One day, Bethany discovers Roger's notebook in the staff room. When she opens it up, she discovers that this old guy who she's never considered to be quite human is writing mock diary entries pretending to be her - and spookily, he is getting her right. These two retail workers then strike up an extraordinary epistolary relationship. Watch as their lives unfold alongside Roger's work-in-progress, the oddly titled Glove Pond, a Cheever-era novella gone horribly, horribly wrong. The first and only story of love and looming apocalypse set in the aisles of an office supply superstore, The Gum Thief reveals the comedy, loneliness and strange comforts of contemporary life.

Ethan Jarlewski and five co-workers whose surnames end in 'J' are bureaucratically marooned in JPod. JPod is a no-escape architectural limbo on the fringes of a massive Vancouver game design company. The six workers daily confront the forces that define our era: global piracy, boneheaded marketing staff, people smuggling, the rise of China, marijuana grow-ops, Jeff Probst, and the ashes of the 1990s financial tech dream. JPod's universe is amoral and shameless. The characters are products of their era even as they're creating it. Everybody in Ethan's life inhabits a moral grey zone. Nobody is exempt, not even his seemingly straitlaced parents or Coupland himself. Full of word games, visual jokes and sideways jabs, this book throws a sharp, pointed lawn dart into the heart of contemporary life.

Our homes are an extension of our personalities. Peter York looks at how some of history's most alarming men and women have chosen to decorate their homes, exploring the private tastes of these public figures in the broader context of 20th century interiors and architecture.

Following the hugely acclaimed bestseller Hey Nostradamus comes a major new novel from Douglas Coupland: the wonderfully warm, funny, life-affirming story of Liz Dunn, a woman who has spent her whole life alone and lonely - until now... This is a major work of commercial literary fiction from an author who just gets better and better.

In 1988, a catastrophic episode of teen violence changes a suburban community forever. "Hey Nostradamus!" is Coupland's keenly observant exploration of this tragic landscape.

Sarah, the star of the latest Nasa shuttle mission, has an elegant mother, an ex-husband and three children. But three of them have AIDS, one is manic-drepressive and one was shot in the stomach by his father. No one is looking forward to getting together for Sarah's pre-flight farewell banquet.

The brilliant new novel from the bestselling cult author of them all.

A collection of Douglas Coupland's articles and short fiction pieces. It offers Coupland's thoughts on topics such as the life and death of Kurt Cobain, and the bizarre behaviour of Harolds - teenagers obsessed with hanging about in cemeteries.

From the acclaimed author of Hey Nostradamus! comes a wonderful comic novel with 'more one-liners than a decade of Woody Allen films' (Guardian), about the scramble for love and success in a brave new world... Bill is wise. Bill is kind. Bill is benevolent. Bill, Be My Friend... Please! At computer giant Microsoft, Dan, Susan, Abe, Todd and Bug are struggling to get a life. The job may be super cool, the pay may be astronomical, but they're heading nowhere, and however hard they work, however many shares they earn, they're never going to be as rich as Bill. And besides, with all the hours they're putting in, their best relationships are on e-mail. Something's got to give...

This collection of stories cuts through the hype of modern living, travelling inward to the elusive terrain of dreams and nightmares.

Tyler Johnson is an apocalyptic entrepreneur in the making. His memories begin with Ronald Reagan. With his neat girlfriend, smart jokes and shampoo collection, he works at the nuclear power plant where his hippie parents used to demonstrate, plotting his fortune. But fortune has other plans - the return of a Paris summer fling, one of the 'low-ambition Euro-teens', who takes Tyler on the road to the shimmering dreams of L.A.

Three twenty-something young adults, working at low-paying, no-future jobs, tell one another modern tales of love and death.

Canada, fine anni Settanta. Cinque adolescenti impegnati a dedicarsi airituali dell'adolescenza: sciate notturne, party-finimondo, i primi approcciamorosi. Una di loro, Karen, è perseguitata da strani sogni spesso simili avisioni del futuro. Durante una gelida notte di dicembre Karen entra in coma apparentemente senza motivo. Rimarrà in coma per i venti anni successivi; l'innocenza svanisce, la spensieratezza adolescenziale sfuma in età adulta, eil gruppo di amici si muove tra alcolismo, droghe, yuppismo. Ma quando Karen si risveglia, inconsapevole dei mutamenti avvenuti, annuncia che la fine del mondo è più vicina di quanto non si immagini. Ma dalla catastrofe emerge una possibilità, una seconda occasione per restituire senso all'esistenza.