The book is a facsimile reprint of a scarce antiquarian work, preserving its historical significance despite potential imperfections like marks and marginalia. It reflects a commitment to protecting and promoting important literature by providing high-quality, modern editions that remain faithful to the original text.
Culturally significant, this work has been preserved to maintain its authenticity, featuring original copyright references and library stamps. It serves as an important piece of civilization’s knowledge base, reflecting the historical context in which it was created. The reproduction aims to stay true to the original artifact, providing readers with a glimpse into the past through its preserved elements.
The book features a dialogue among men exploring the multifaceted nature of female beauty, including ideal body types, facial features, and the influence of fashion. It delves into societal expectations and their effects on women's self-esteem, reflecting 19th-century attitudes towards beauty and gender roles. This thought-provoking work offers valuable insights for those interested in the history of beauty standards and gender studies, while also being a facsimile reprint that preserves its cultural significance.
For the First Time Translated in English
This collection features stories from Firenzuola, a Benedictine monk of Vallombrosa, showcasing his unique narrative style and insights. The book, now available in English for the first time, preserves the essence of the original 1889 edition, offering readers a glimpse into the spiritual and cultural life of the time. With its rich historical context, this reprint invites exploration of the themes of faith, morality, and the human experience through Firenzuola's lens.
Un ouvrage si rare, en français du moins, qu'il est introuvable en librairie, hormis chez quelques bouquinistes, où il atteint des prix assez conséquents, selon l'état. Et pourtant, Firenzuola a bénéficié de traductions dès le XVI° siècle, une par Gabriel Chappuys, qui a intégré une de ses nouvelles dans ses "Facétieuses Journées" publiées en 1584, mais aussi par Pierre Larivey (1540-1619), édition non précisée, non datée. Plus près de nous, une édition en 1881, traduite par Alcide Bonneau (et dont est tirée la présente), ainsi qu'en 1913 par B. de Villeneuve. L'édition de 1881 a d'ailleurs rencontré un tel succès, qu'elle a été traduite en anglais, en 1886. On l'a qualifié de licencieux ; je préfère y voir une critique des moeurs relâchées de la Renaissance.