'Prince', through years of research and interviews with ex-Revolution members such as Wendy and Lisa, is an account of a pop maverick whose experiments with rock, funk, techno and jazz revolutionised pop. With reference to every song, released and unreleased, it will stand for years to come as the go-to book on the pop legend.
Gerald Wedmore is an anti-hero. At the age of twenty-five, he's all washed up - his sex life is non-existent and his career as a TEFL teacher isn't going anywhere. On top of that, he has developed a series of platonic friendships with women that threaten to cast him into early middle age. But Gerald is no ordinary, anxious twenty-something. As a teenager, his face was known to millions and the intimacies of his life were shared with a hungry audience as he fumbled his way through adolescence. For Gerald was the star of a reality TV show - ALL RIGHT NOW! From child celebrity and recording angel to TEFL teacher - where did he go wrong? It's time to grow up, find a girl, change his sheets and get a life...
Sono giovani e motivati. Hanno poco più di vent'anni. E hanno voglia di cambiare vita. La loro grande opportunità si nasconde dietro una semplice e all'apparenza innocua inserzione sul giornale: "Giovani brillanti cercasi per grande progetto". Un breve colloquio di presentazione, un sorso di caffè... e i nostri sei aspiranti eroi si ritrovano sulla spiaggia di una misteriosa isola. Non sanno come ci sono arrivati, non sanno chi ha assegnato loro quelle stanze simmetriche, tre per le ragazze e tre per i ragazzi, chi ha dato loro cibo e acqua in abbondanza. Soprattutto non sanno cosa devono fare.
'All Hail, the New Puritans' is the collection of new stories from the most exciting young novelists today. Inspired by the Dogme 95 group of film makers, the New Puritans are attempting to rediscover fiction as a discipline rather than a category. 1. Primarily storytellers, we are dedicated to the narrative form. 2. We are prose writers and recognise that prose is the dominant form of expression. For this reason we shun poetry and poetic licence in all its forms. 3. While acknowledging the value of genre fiction, whether classical or modern, we will always move towards new openings, rupturing existing genre expectations. 4. We believe in textual simplicity and vow to avoid all devices of rhetoric, authorial asides. 5. In the name of clarity, we recognise the importance of temporal linearity and eschew flashbacks, dual temporal narratives and foreshadowing. 6. We believe in grammatical purity and avoid any elaborate punctuation. 7. We recognise that published works are also historical documents. As fragments of our time, all our texts are dated and set in the present day. All products, places, artists and objects named are real. 8. As faithful representation of the present, our texts will avoid all improbable or unknowable speculations on the past or the future. 9. We are moralists, so all text feature a recognisable ethical reality. 10. Nevertheless, our aim is integrity of expression, above and beyond any commitment to form.