Veit Loers Libri

During the 1990s, Franz West’s work moved in new and innovative stylistic directions, as his career was solidified through important international exhibitions. This publication delves into this significant decade in an effort to contextualize the evolution of West’s singular practice. The 1990s proved critical in the development of the idiosyncratic style for which West is still known today. His key innovations from this period—which included the addition of exuberant color to his papier-mâché forms, the incorporation of furniture both as art object and as social incubator, and the inclusion of work by other artists in his own installations—resulted in dynamic, frequently interactive installations that helped to expand the possibilities of sculpture and the ways in which art is experienced. Produced on the occasion of David Zwirner’s 2014 exhibition in New York, this fully illustrated publication gives an in-depth overview of the decade, arguably the most important of the artist’s lengthy career. It features essays by noted West scholars Eva Badura-Triska and Veit Loers, as well as a personal account by Bernhard Riff on video collaborations made with the artist throughout the 1990s.

Thomas Zipp, born in 1966, studied under Martin Kippenberger in Frankfurt and then continued at the Slade School of Fine Art in London. His imagery blends New Age thought patterns with provocative spiritual religion, cults, myths, drugs and violence. Achtung! Vision presents his paintings, drawings, collages and installations since 2003, including a number of very new and never-before-seen works.

Veit Loers. A Revision Of The Author's Thesis, Munich, 1972, Presented Under The Title: Rokokoplastik In Süddeutschland. Includes Index. Bibliography: P. 120-122.

Small books, big ideas. Cutting-edge publisher Lukas & Sternberg's pocket-book series spotlights some of the most intriguing international artists emerging today, with critical essays in English and German exploring the theoretical basis of their works. A growing series now featuring five titles. These Dutch artists received international recognition for their seemingly luxurious and self-reflexive 35mm films. This first comprehensive monograph discusses how Dutch painting, Minimal Art and film conventions become the backdrop for a "cinema in its decontextualized form". Essays by Vanessa J. Müller and Veit Loers. Interview by Nicolaus Schafhausen. In English and German text, 43/8 x 63/4, includes 5 color reproductions.

German

Chronik einer Affäre is the record of a businessman’s affair with his colleague “Margret.” The reader is thrust into voyeurism, with hundreds of photos before and after sex, each time a different hotel, a new outfit. Note text is German only .