Joel Agee Libri

Depicts an American boy's childhood in Mexico, ensconced in a world comprised of communist European exiles, local union activists, street children and avant-garde artists like Frida Kahlo

One didn't dare to inhale for fear of breathing it in. It was the sound of eighteen hundred airplanes approaching Hamburg from the south at an unimaginable height. After experiencing numerous air raids, this was something completely new, yet it felt familiar—an ominous shadow that had loomed over daily life, signaling the end. Hans Erich Nossack, a novelist aged forty-two, witnessed the destruction of his birthplace from across the Elbe River. He heard the whistle of bombs, watched neighbors flee, and worried about the fate of his home and manuscripts. This memoir, written just three months after the bombing, offers a searing firsthand account of one of World War II's most notorious events. It serves as a meditation on war, hope, and the devastation of history. Notably, it presents the Allied bombing campaign from the German perspective, a rarity in literature. In this first English-language edition, Joel Agee's crisp translation is complemented by Erich Andres's evocative photographs. Poetic and highly descriptive, this work is recognized as one of the most significant German texts on the firebombing, proving to be a critical read during moments of uncertainty.

Als Achtjähriger kam Joel Agee im Herbst 1948 mit seiner Mutter, seinem Stiefvater und deren gemeinsamem Sohn nach Ostberlin. Was man von Joel verlangt, nämlich ein guter Kommunist zu werden, genau das will er nicht. Vor dem Kasernenhoftor der Schule und der FDJ flieht der Einzelgänger zu seinen Büchern und Träumereien. Meisterhaft beschwört Joel Agee die Atmosphäre jener Jahre herauf, wenn er von der Jugend eines Amerikaners in Ostdeutschland erzählt.