Gilles Néret fu un critico d'arte, storico e giornalista francese, rinomato per la sua vasta opera sulla storia dell'erotica. Dedicò la sua carriera al mondo dell'arte, organizzando retrospettive e dirigendo prestigiose riviste d'arte. La sua competenza emerse in pubblicazioni illuminanti che esplorarono la storia dell'arte con un focus su sfaccettature specifiche, spesso trascurate. Il lavoro di Néret offre ai lettori una lente unica per comprendere l'evoluzione delle forme artistiche e il loro significato culturale.
Ce livre est la plus complète étude sur les peintures de Salvador Dalí, offrant une analyse approfondie de son œuvre et de son impact. Robert Descharnes et Gilles Néret présentent des œuvres inédites et explorent les débuts de Dalí ainsi que son héritage, en lien avec divers domaines artistiques. Une véritable célébration de son génie.
Often misunderstood, Pierre-Auguste Renoir remains one of history's most-loved painters--undoubtedly because his work exudes such warmth, tenderness, and good cheer. Gathering brilliant reproductions and sketches, as well as photos and a complete chronology illustrating his life and work, this is the essential work of reference on Renoir.
Die zeitlos charmanten Gemälde von Pierre-Auguste Renoir (1841-1919) spiegeln die Ideale von Glück, Liebe und Schönheit wider, wie sie heute immer noch gültig sind. In dieser kompakten Version unserer großformatigen Ausgabe, der bisher umfangreichsten Buchretrospektive über Renoirs Werk, werden die persönliche Geschichte und die Bewegründe hinter der Legende deutlich. Nach frühen Landschaftsbildern im impressionistischen Stil entdeckte Renoir seine wahre Leidenschaft in der Porträtmalerei – woraufhin er den Impressionisten den Rücken kehrte. Obwohl oft missverstanden, bleibt er einer der beliebtesten Maler der Kunstgeschichte – zweifellos der Wärme, Zärtlichkeit und Hochstimmung wegen, die seine Werke ausstrahlen. In einem aufschlussreichen Text, der die Karriere des Künstlers und seine stilistische Entwicklung nachzeichnet, zeigt Gilles Néret, wie Renoir in seinen Alltagsgöttinnen mit ihren prallen Formen, runden Hüften und Brüsten die gemalte weibliche Form neu erfand. Seine letzten Gemälde, vor allem der Badenden-Serie, geprägt von der Rückkehr zum simplen Vergnügen am weiblichen Akt, bilden seine innovativste und stilistisch einflussreichste Phase, die später sogar Matisse und Picasso inspirierte. Mit vollständiger Chronologie, einer aktualisierten Bibliographie und brillanten Reproduktionen sowie Fotos und Skizzen ist dies das unverzichtbare Nachschlagewerk zum Œuvre dieses langlebigen Meisters.
Nach kurzen Abstechern in Realismus, Impressionismus und Symbolismus fand der in Kiew geborene Kasimir Malewitsch (1878–1935) seine Berufung in der Auflösung konkreter, darstellender Figuren und Landschaften in einer reinen, emotional aufgeladenen Abstraktion. Im Jahr 1915 schuf er das Bild, das weithin als erstes und vollendetes abstraktes Kunstwerk angesehen wird: Schwarzes Quadrat (1915), ein gleichseitiges schwarzes Rechteck auf weißem Grund, das später als „Nullpunkt der Malerei“ gefeiert wurde, als ein zukunftsweisender Augenblick für die moderne und abstrakte Kunst. Malewitsch hat sich in seinem künstlerischen Werdegang intensiv mit den neuesten künstlerischen Strömungen seiner Zeit auseinandergesetzt und mit dem Suprematismus die erste konsequent gegenstandslose Kunstrichtung entwickelt. Dass er in seinem Spätwerk zur figurativen Malerei zurückkehrte, sorgte für erhebliche Irritation. Diese Einführung zeichnet ein außergewöhnlich spannendes Künstlerleben nach und verortet seine bahnbrechenden Leistungen im Kontext der internationalen Avantgarde.
Der französische Maler Édouard Manet (1832–1883), der zu Lebzeiten sowohl für seinen Stil als auch für seine Motive Hohn und Spott ertragen musste, gilt heute als entscheidender Erneuerer der Malerei und Wegbereiter des Impressionismus. Manet löste sich von der akademischen Maltradition seiner Zeit, auch wenn er immer wieder Bezug auf alte Meister wie Goya, Velázquez, Rubens oder Frans Hals nahm, und führte neue Motive und unkonventionelle Darstellungsweisen in die Malerei ein. Er zeigte Alltagsszenen aus Pariser Bars und Cabarets und wagte es, Nacktheit ohne jede mythische oder allegorische Verbrämung darzustellen. Der Pariser Salon empörte sich über seine Mahlzeit im Grünen mit einer nackten Frau neben bekleideten Männern, während der direkte Blick und die unverfrorene Pose der mutmaßlichen Kokotte Olympia , einer sehr modernen Neuinterpretation von Tizians Venus von Urbino , einen wunderbaren Skandal auslöste. Der reich bebilderte Band zeigt, wie Manet über die Auseinandersetzung mit den traditionellen Malkonventionen zu einer Darstellungsweise findet, in der ahnungsvoll schon die Moderne aufscheint.
Продолжающаяся серия, выпускаемая совместно с немецким издательством "Taschen". Книга об австрийском живописце и графике Густаве Климте (1862-1918), главном представителе венского модерна, который был предельным, формально обостренным выражением искусства рубежа веков. Климт был одним из организаторов венского Сецессиона в 1887 году, который объединил силы художников, противостоящих официальному искусству. В 1905 году Климт оставил венский Сецессион. Он стал излюбленным портретистом элегантных жительниц Вены. Слегка стилизованные модели вместе с орнаментальным фоном образуют в высшей степени оригинальные композиции. Климт писал также пейзажи в манере, соединяющей символизм с импрессионизмом. Изображенные предметы помещены в плоскостной структуре, близкой к абстракции и сохраняющей орнаментальный характер, тогда как атмосфера передается тонкой световой нюансировкой.
Nenapravitelnému enfant terrible italského barokního malířství Caravaggiovi (1571-1610) se konečně dostává pozornosti, kterou si zaslouží. Ačkoli jeho jméno je každému známé, jeho dílo bylo dosud často zatracováno a vytlačováno na okraj zájmu. Jeho teatrální realismus byl ve své době nepřijatelný, svatokrádežné náměty a práce s modely z nižších tříd byly ostře odsuzovány. Znovuobjeven byl až v devatenáctém století a dnes platí za nejvýznamnějšího malíře raně barokní doby. Bez něj by nebyli Ribera, Zurbarán, Velázquez, Vermeer nebo Georges de la Tour. Franz Hals, Rembrandt, Delacroix a Manet by byli malovali jinak.
L'auteur revient sur l'intégralité de la carrière de l'artiste en retraçant son évolution artistique, et montre comment il a réinventé la femme en peinture, à travers ses déesses de la vie quotidienne bien rondes, à la poitrine et aux hanches généreuses.
Henri de Toulouse-Lautrec (1864-1901), scion of an ancient aristocratic family, was a crippled dwarf. His familys wealth gave him financial security, and he chose to become an artist. In Paris he was drawn to the world of the In the cafes, cabarets, dance halls and brothels he observed the theatre of life, viewing this world not from the moralizing standpoint of the 19th-century bourgeoisie, but with the eyes of one for whom all inhibitions had long since vanished. Lautrec had the gift of painting life as it is. No one else has captured the entertainment world of the belle poque in so unadulterated, so masterful and so timelessly true a manner as did Lautrec in his paintings, lithographs and posters. This monograph sets out to examine the close relations between Lautrec work and life. It thereby offers the reader a lively impression of Lautrec art, and at the same time provides an understanding of his private life and of the magnificent Paris of the belle poque.
„Warum sollte Kunst nicht schön sein? Es gibt genügend unerfreuliche Dinge auf der Welt.“—Pierre-Auguste Renoir. Renoirs Gemälde verkörpern Glück, Liebe und Schönheit. TASCHENs umfassende Retrospektive untersucht die Geschichte und Beweggründe hinter diesem legendären Maler. Zu Beginn seiner Karriere malte Renoir (1841-1919) impressionistische Landschaften, entdeckte jedoch seine wahre Begabung mit Porträts und wandte sich von den Impressionisten ab. Trotz Missverständnissen und Kritik bleibt er einer der beliebtesten Maler der Kunstgeschichte, was sicherlich an der Wärme und Hochstimmung seiner Werke liegt. Gilles Néret beschreibt in seinem aufschlussreichen Text die Karriere und stilistische Entwicklung Renoirs. Er hebt hervor, dass Renoir mit seinen Alltagsgöttinnen, die durch ihre runden Formen bestechen, die Darstellung der Frau in der Malerei neu erfand. Die letzten Werke, insbesondere die „Baigneuses“-Serie, zeigen Renoirs Rückkehr zur einfachen Freude und markieren eine stilistisch einflussreiche Phase, die später Künstler wie Matisse und Picasso inspirierte. Mit vollständiger Chronologie, Bibliografie, Werkindex und 600 großformatigen Farbreproduktionen sowie Fotos und Zeichnungen, die Renoirs Leben und Werk illustrieren, ist dieses Buch ein unverzichtbares Nachschlagewerk für alle, die sich mit diesem Meistermaler auseinandersetzen möchten.
Enfant terrible della pittura barocca italiana, Caravaggio (1571–1610) sta finalmente ottenendo il riconoscimento che merita. Per quanto il suo nome sia ben noto, la sua opera è stata a lungo avversata e tenuta nell’oscurità. Non era solo il suo realismo teatrale a essere fuori moda per la sua epoca: violente critiche suscitavano anche i suoi soggetti ritratti in maniera anticonvenzionale e l’abitudine di impiegare come modelli persone appartenenti ai ceti popolari. L’eccezionale opera di Caravaggio ha dovuto superare secoli di discredito ed è stata riscoperta, ormai postuma, solo nel XIX secolo, quando al pittore è stato finalmente riconosciuto lo status di maestro. Caravaggio è oggi considerato il più importante pittore del primo Barocco, senza il quale non ci sarebbero stati Ribera, Zurbarán, Velázquez, Vermeer o Georges de La Tour. E le opere di Frans Hals, Rembrandt, Delacroix e Manet sarebbero certo state diverse. In questo libro troverete oltre 50 tra i migliori dipinti di Caravaggio, testimonianza di un genio che ha saputo trascendere la sua epoca.
Extravagance and sensuality Renowned among his contemporaries as one of the foremost painters of his era, Flemish baroque artist Peter Paul Rubens (1577-1640) practically revolutionized northern European art. A shrewd businessman, international ambassador, passionate scholar, devout Catholic, and loving family man, Rubens—fluent in six languages, no less—cared about nothing more than painting, and thus devoted his life to it. Combining typical Flemish realism with classical themes influenced by the Renaissance, Rubens caught the attention of all of Europe and helped put his native Antwerp on the map. His very profitable workshop of accomplished artists, one of whom was Van Dyck, completed over 2000 works under his supervision. About the Each book in TASCHEN’s Basic Art series
EVER SINCE HE DISGUISED HIMSELF AS A SNAKE AND TEMPTED EVE WITH AN APPLE, THE DEVIL HAS BEEN EVERYONE'S FAVORITE VILLIAN. LUCIFER HIMSELF IS THE STAR OF THIS BOOK, WHICH CONTAINS IMAGES OF HIM THROUGHOUT THE HISTORY OF ART. ETCHINGS, WOODCUTS, PAINTINGS, ILLUSTRATIONS, DRAWINGS, PHOTOGRAPHS, AND ADVERTISEMENTS FEATURING OF THE DEVIL, BY THE LIKES OF DA VINCI, BOSCH, PIERRE ET GILLES, GIGER, AND MANY MORE, POPULATE THE PAGES OF THIS SUPREMELY "EVIL" BOOK.
After flirtations with Realism, Impressionism, and Symbolism, Kiev-born Kazimir Malevich (1878–1935) found his métier in dissolving literal, representational figures and landscapes into pure emotionally-charged abstraction. In 1915, he created what is widely lauded as the first and ultimate abstract Black Square, a black rectangle on a white background, hailed as the “zero point of painting,” a seminal moment for modern and abstract practice. In this book, we follow Malevich’s key innovations and ideas and place his groundbreaking achievements within the context of both the Russian and global avant-garde. Through rich illustrations of his work, we explore the artist’s theory of Suprematism, based on severe geometric abstraction and “the supremacy of pure feeling in creative art”; his leading role in the development of Constructivism; as well as his interests in philosophy, literature, Russian folk art, and the fourth dimension.
Realist of the unreal French-German painter Count Balthasar Klossowski de Rola (1908-2001), known as Balthus, shocked the Parisian art world in 1934 with his dreamy, sensual, Neo-Classical portraits of nymphets at a time when Surrealism and abstraction were de rigueur. As a provocateur, Balthus was often scorned; as an artist, he was widely embraced as a prodigy. In response to critics of his realist style, Balthus said: "The real isn't what you think you see. One can be a realist of the unreal and a figurative painter of the invisible." His erotic, poetic paintings live on as examples of the best figurative work of the modern era.
Il pittore francese Édouard Manet (1832-1883) è considerato un innovatore della pittura e precursore dell'Impressionismo. Rompendo con la tradizione accademica, ha introdotto nuove tematiche e stili, come dimostrano le sue opere che ritraggono scene quotidiane e la rappresentazione audace della nudità. Questo volume illustrato esplora il suo impatto sulla modernità.
This selection of sculpture, ceramics, frescoes, paintings, drawings, and illustrations, by the greatest masters from antiquity through the Renaissance, explores the many ways angels have been depicted throughout history
Die Suche nach Balance, Reinheit und Gelassenheit. Ein unentbehrliches Werk über einen Leitstern der modernen Kunst
This is a collection of the best latter 20th century images from Erotica Universalis Volumes I and II. From Dali to Crumb and lots of others in between (known, unknown, and anonymous)--a plethora of delightfully naughty pictures!
Renoir's timelessly charming paintings are the embodiment of happiness, love, & beauty; it is no doubt because of this that he is the most popular of the impressionists. TASCHEN's Renoir, the most complete retrospective book of this painter's work, examines in detail the history & motivation behind the legend. Renoir was incredibly prolific, painting over 5000 works during his lifetime, though many of these were studies. For this monograph, we have chosen 600 of his masterpleces that best demonstrate his immense talent & historical importance. Gilles Neret's detailed, insightful text traces the evolution of Renoir (1841-1919) from young porcelain decorator to one of the most famous painters of his generation, including his abandonment of landscapes in favor of portraiture & his final attraction, after years of success, to painting what he loved most, the Washers descending from the Olympia & his model & servant, Gabrielle, painted as a goddess. With a complete chronology, bibliography, & index of works, as well as photos & sketches illustrating Renoir's life & work, TASCHEN's Renoir is the essential reference book for this painter of happiness & poet of love. Oh, & did we mention the gorgeous, large-format color reproductions?
Recueil de dessins, gravures, peintures... érotiques qui illustrent l'étendue de la créativité des artistes en la matière ainsi que l'évolution de cet art sur quatre siècles.
This is a collection of the best 17th and 18th century images from Erotica Universalis, volumes I and II. From Rembrandt to Fragonard and lots of others in between (known, unknown, and anonymous), a plethora of delightfully naughty pictures!
Recueil de dessins, gravures, peintures ... érotiques qui illustrent l'étendue de la créativité des artistes en la matière ainsi que l'évolution de cet art sur quatre siècles.
At Delacroix's studio sale, held six months after his death in 1864, crowds and critics were astonished by the abundance and multi-disciplinary nature of his work, showcasing the vision of a man hailed by Baudelaire as the last great artist of the Renaissance and the first of the Modern era. Delacroix was acutely aware of his desired position in art history. Drawing inspiration from Rubens in lifestyle and creativity, he combined classical composition with universally appreciated symbolic and allegorical themes, resulting in works of unmatched integrity and sensuality. From his spectacular Salon reception in 1824 to the significant Scenes from the Chios Massacre—where the term Romantique was first applied to his style—and the provocative The Agony in the Garden, Delacroix's genius in graphic design, color innovation, and body portrayal was undeniable. His numerous sketchbooks reflect a commitment to truth in both his Goyaesque depictions of horror and sacrifice and his grand historical canvases. Excessive and monumental, this Victor Hugo of the art world has profoundly influenced movements such as Impressionism, Expressionism, and mid-century Abstract painting. Delacroix's noble spirit transcends the self-indulgence of the Romantics, resonating across ages.
Almost half Dalí's illustrations in this book have rarely been seen This publication presents the entire painted oeuvre of Salvador Dalí (1904-1989). After many years of research, Robert Descharnes and Gilles Néret finally located all the paintings of this highly prolific artist. Many of the works had been inaccessible for years - in fact so many that almost half the illustrations in this book have rarely been seen.
"En plein essor, la Petite Collection de Taschen a gagné : excellentes reproductions que l'on peut même encadrer, commentaires intelligents, le tout à un prix imbattable." The Bookseller, Londres "Des livres qui donnent envie de les acheter." Sunday Times Magazine, Londres "Les publications Taschen sont des ouvrages essentiels pour l'étudiant des beaux-arts et pour le grand public." Flash Art, Milan
The entertaining companion novel to the best-selling The Sweet Second Life of Darrell Kincaid. Michelle Lawrence's perfect life has been just as she's designed it. But then her husband, Chad, ruins everything by taking a job in San Francisco, about as far from their comfortable family home as it's possible to get without actually emigrating. Up until now, Chad's primary focus has been keeping her happy, and Michelle can see no good reason why this should change. But change it has, and Michelle now has to deal with Chad's increasing detachment, while building a new life with her two small children in a place filled with cat-eating coyotes. On top of that, Michelle's oldest friend is turning against marriage while her newest is a little too obsessed with clean taps. And down the redwood-lined street, there's Aishe Herne, a woman who could pick a fight with a silent order of nuns. Aishe has designed her own kind of perfect life, in which there's room for her, her teenage son and no one else. But when cousin Patrick lands in town like a Cockney nemesis, both Aishe and Michelle must begin determined campaigns to regain their grip on the steering wheel of their lives. The Catherine Robertson Trilogy Book 1: The Sweet Second Life of Darrell Kincaid Book 2: The Not So Perfect Life of Mo Lawrence Book 3: The Misplaced Affections of Charlotte Forbes
Aubrey Beardsley, famous by his early twenties, died aged 25 leaving an immense volume of work behind. This collection provides an opportunity to view Beardsley's mature work. It aims to enable the reader to distinguish between the genuine and the hundreds of spurious pastiches attributed to him.
Michelangelo fra le passioni terrene e la paura di Dio.Durante il Rinascimento, molti artisti, e parliamo di artisti del calibro di Leonardo, Botticelli e Raffaello cercarono di imitare sì la natura ma di farlo sempre assecondando il proprio gusto.Fin dalla prima giovinezza Michelangelo trasformò i suoi tormenti personali in una squisita creatività cercando di riconciliare le forze che apparentemente erano in conflitto nel suo animo. Da questa lotta nacquero monumenti alla gloria di Dio di impareggiabile bellezza. I suoi predecessori aspiravano al cielo attraverso la sola fede; Michelangelo cercava invece l’assoluzione attraverso l’esaltazione contemplativa della bellezza. Persino sulla volta della cappella Sistina.
Traces Henri Matisse's search for balance, purity and serenity, from the chromatic brilliance of his Fauve period, through his travels, the Orient, geometric synthesis, and the odalisques to the triumph when, at the age of eighty, he invented his gouache cut-outs. He is acknowledged as an artist whose canvases are difficult to reproduce in print.
Skulpturer og tegninger af den franske kunstner Auguste Rodin (1840-1917).
TASCHEN's 25th anniversary Special edition! Two large-format hardcover volumes in a slipcase. Picasso called Dali "an outboard motor that's always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and filmmaker, Salvador Dali (1904-1989) was one of the century's greatest exhibitionists and eccentrics - and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination. This lively monograph presents the infamous Surrealist in full color and in his own words. His provocative imagery is all here, from the soft watches to the notorious burning giraffe. A friend of the artist for over thirty years, privy to the reality behind Dali's public image, author Robert Descharnes is uniquely qualified to analyze Dali - both the man and the myth.
A perfect synthesis of colour and line Matisse at eighty, master of painting and sculpture, used colour as a sculptor uses stone. His unique venture took the art world by storm. The improvisations in colour and rhythm, created with gouached paper and scissors, marked the culmination of his artistic ambition - a perfect synthesis of colour and line. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
La tentative de Napoléon de conquérir l'Égypte en 1798 fut un rêve fou, un fiasco, mais elle a donné naissance à une nouvelle science : l'égyptologie. Les 3000 illustrations rapportées de l'expédition ont été publiées par ordre de l'Empereur. Elles constituent un témoignage inestimable et sont reproduites dans leur intégralité.
The painter, sculptor, author, filmmaker, and all-around entertainer Salvador Dalí (1904–1989) was one of the greatest exhibitionists and eccentrics of the 20th century. He was among the first to apply insights from Freudian psychoanalysis to art and is celebrated primarily for his surrealist works. Iconic images such as the melting clocks and the lobster telephone have become symbols of surrealism and modernity. Dalí often referred to his paintings as "hand-painted dream photographs." Their fascination and inherent tension arise from the precise depiction of bizarre elements and incongruous arrangements. Dalí painted, as he said, with the "imperialist frenzy of precision," but only "to systematize confusion and thereby completely discredit the world of reality." The mustachioed Dalí revolutionized the role of the artist by polarizing audiences with his public appearances and creating a body of work that can be consumed in various ways beyond gallery walls. This volume presents Dalí's work and personality, illuminating his provocative compositions centered around themes of death, decay, and eroticism.
Offre une histoire de l'humanité vue à travers les lunettes colorées de l'érotisme. A côté d'artistes célèbres, l'ouvrage rend justice à quelques chefs-d'oeuvre inconnus, qui peuvent ainsi sortir de l'ombre où les tabous qui les tenaient jusqu'ici.
Henri de Toulouse-Lautrec (1864-1901) festő és rajzoló, akit ma a leginspiráltabb emberábrázolók egyikeként tartanak számon. A fizikai fogyatékkal élő, régi francia nemesi családból származó művész a Montmartre világának lenyűgöző atmoszféráját kutatta. A párizsi negyed kávézói, kabaréai, táncparkettjei és bordélyai a "élet színházát" kínálták számára. Toulouse-Lautrec páratlan módon örökítette meg a Belle Époque idején a mulandó örömök hajszáját: mesterművei, litográfiái és plakátjai időtlen, kendőzetlen képet adnak azokról az évekről.
Aus Ton, Bronze und Marmor hat Rodin das menschliche Wesen gestaltet, die Frau besungen, alle Leidenschaften, alle Freuden, alle Laster zum Leben erweckt. Seine Figuren, "in welche der Sünde Süße stieg aus den Wurzeln des Schmerzes" (Rilke). haben die Zeit überdauert und ziehen uns mehr denn je in ihren Bann
Gustav Klimt è il pittore più rappresentativo dell'Art Nouveau. Partito da una formazione artistica tradizionale, diviene uno dei massimi esponenti della secessione viennese. In lui prevalgono il simbolo, l'evocazione della realtà, piuttosto che la sua rappresentazione; la linea elegante, morbida e sinuosa, la bidimensionalità delle forme, l'accostamento sapiente dei colori, il preziosismo, in una fusione e in un assortimento delle più svariate componenti artistiche e psicologiche del suo tempo.
As the Goddess of the Automobile Age, Tamara de Lempicka (1898-1980) stood at the centre of the sophisticated Paris art world of the Twenties and Thirties. Her love for beautiful women, elegant automobiles and the modern metropolis provided not only motifs for her pictures, but also influenced her artistic style. Simultaneously with her career as artist, Tamara de Lempicka pioneered a new image of life on the screen, evident in the new, self-confident woman and the changing aspects of femininity and masculinity. The same sense of style was reflected in a futuristic cult of speed, domestic design forms promulgated by the Bauhaus, and the dandyism of a George Brummell. Tamara de Lempicka's best-known painting, Self-Portrait, or Tamara in a Green Bugatti, presents the artist as a female dandy brimming with cool elegance. Whether as an Art-Deco artist, a post-Cubist or a Neoclasissist, de Lempicka struck the taste of a cosmopolitan (and wealthy) public that found its own image reflected in her work.
Néret, Gilles. Die Kunst der Zwanziger Jahre. Malerei. Dekoration. Grafik. Design. Architektur. Plastik. Fotografie. Film. Zürich, Orell Füssli, 1986. 31,5 cm x 29 cm. 248 seiten. Mit zahlreichen schwarz-weißen und farbige Abbildungen und Illustrationen. Original Hardcover with original dustjacket in protective collector's mylar. Aus der Bibliothek des niederländischen Modedesigners Frans Molenaar. Sehr guter Zustand mit nur geringen Gebrauchsspuren. Enthält Die Verrückten Zwanziger Jahre / Malerei / Plastik / Architektur / Design / Dekoration / Grafik / Fotografie / Film / Zeittafel etc etc. Die Kunst der zwanziger Jahre kann auf verschiedene Arten gelesen werden. Der allgemeine Text si tuiert die Künstler und Gruppen, stellt ihre Theorien vor und erläutert die abgebildeten Werke. Die bildlegenden liefern alle wichtigen Informationen zum Einzelwerk. In Randkommentaren wird auf bestimmte Bewegungen und Künstler näher eingegangen. So durchdringen sich für den Leser und Betrachter Gesellschaft, Politik, Literatur, Musik, bildende Kunst und Wissenschaft zu einer eindrücklichen Lebenseinheit. (Orell Füssli Verlag).
Painter, sculptor, writer and film maker, Salvador Dalí was one of the 20th century's greatest exhibitionists and eccentrics - and was rewarded with fierce controversy wherever he went. This lively biography presents the infamous surrealist Dalí is full colour and in his own words.
