Matthias Bauer Libri

W. Opitz: Wälsungenblut. Zum Antisemitismus des frühen Thomas Mann - U. Bock: In den Ruinen der Vergangenheit:Politischer Umbruch und persönliche Krisenerfahrung in den Romanen Julia Schochs - A.-R. Radu: What Do You Want to Know For? The Power of Knowledge in Selected Stories by Alice Munro - L. Linne: Unlived Lives in Alice Munro'sWalker Brothers Cowboyand Something I've Been Meaning to Tell You

This collection of essays is concerned with the various ways in which drama responds and contributes to cultural change. Most of the twelve case studies take into account that, in the English-speaking world, Shakespeare has formed the pivot of the relationship between drama and culture for several centuries. Apart from the fact that his works are concerned with processes of transformation or have been used to make such processes visible, they prevent us from adopting schematic ideas of a clearly definable „culture“ undergoing equally definable „changes.“ Turning around Shakespeare thus means avoiding undue generalizations and simplifications. The subjects discussed range from adaptations of Shakespeare’s works, such as Granville’s The Jew of Venice, 18th and 19th-century paintings of Caliban, and the 2003 BBC transposition of King Lear into a postcolonial Indian context, all the way to revisions of cultural concepts. These may include notions such as the commonwealth, primogeniture, models of reality, theocentrism and human autonomy, obedience, and changing gender relationships. Other essays reflect on the use of metaphors which can be read as commentaries on changing cultural attitudes, and on the representation of desire in a changing cultural context, as well as the elements of contingency and continuity contributing to the construction of 'Shakespeare.' Accordingly, the volume presents both detailed analyses and broader characterizations that evolve around Shakespeare and make us reconsider the cultural assumptions on which his plays and those of subsequent periods appear to be based. Most of the contributions originate in a symposium occasioned by the retirement of Professor Eckard Auberlen, whose teaching and research at the University of Tübingen has for several decades been inspiring to colleagues and students alike.

Mit diesem Band über David Lean (1908-1991) wird das Werk eines Regisseurs beleuchtet, der seine Karriere am Schneidetisch begann. Seine ersten Filme drehte er an der Seite des Dramatikers und Schauspielers Noël Coward. Neben exquisiten Kino-Adaptionen von Dickens-Romanen („Great Expectations“ 1946 und „Oliver Twist“ 1948) schuf er dann Klassiker wie „Brief Encounter“ (1945) oder „Summertime“ (1955). Weltberühmt wurde David Lean durch die kommerziell äußerst erfolgreichen Leinwand-Epen „The Bridge on the River Kwai“ (1957), „Lawrence of Arabia“ (1962) und „Doctor Zhivago“ (1965), die modellbildend für die Inszenierung historischer Stoffe in Hollywood wurden. Die Autoren dieses Heftes haben das Jubiläum zum Anlass genommen, David Lean aus heutiger Sicht neu zu entdecken. Dabei gilt es, den Stimmen seiner zeitgenössischen Kritiker zuweilen auch zu widersprechen, die Leans Versuch, romantisches Menschenbild und Zeitgeschichte zu verbinden, anlässlich von „Ryan’s Daughter“ (1970) als anachronistisch verurteilten. Ein Seitenblick auf weniger bekannte Filme wie „Madeleine“ (1950), „The Sound Barrier“ (1952) und "Hobson's Choice" rundet die Retrospektive ab.