W. Pretolani discusses the influence of garzoniani in relation to I. M. B. V. Kapp examines the material basis of literature and its unique expressive possibilities. The book transitions from text to image, exploring various methodologies in continuing education management for teaching German as a second language, as presented by G. Eilert-Ebke. P. Kofler analyzes the journey of metaphors and translations from the Enlightenment to Romanticism. R. Bertozzi critically assesses the translation of Giacomo Leopardi's "L’Infinito" and presents an unpublished translation of Stefano Benni's "Elianto." A. Martino explores an Italian adaptation of "Lazarillo de Tormes" in Pompeo Vizzani's "Le disgrazie di Bartolino." V. Hösle draws parallels between Wilhelm Meister and Nicholas Nickleby. E. Spedicato reflects on catastrophe imagery in Goethe’s "Wahlverwandtschaften" and Wellershoff’s "Der Liebeswunsch." S. Sanna discusses imperfect translations and betrayals in Grazia Deledda's works related to Sardinia in 20th-century cinema. The text also covers the spread of printing art in Europe, Montaigne's influence, and various historical travels, including Paul Heyse's Grand Tour. R. Wittmann presents a librarian's contract from 1681, while G. van Gemert investigates early modern spiritual dietetics. The work concludes with reflections on boundaries and the duality of war and peace, highlighting the complexities of human actions in times of con
