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Pre-Raphaelites

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"Genuine ideas to express" Sometimes considered the first avant-garde art movement, the Pre-Raphaelites rejected their era’s dominant artistic theories for what they saw as a more spiritual, naturalistic and intensely personal approach. Fascinated by the romantic aspects of medieval culture and the vivid, jewel-like colors of Quattrocento art, the movement abhored the Classical poses and composition of Raphael and those influenced by him—hence the group’s name—and the influence of Sir Joshua Reynolds. Founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti, the original Pre-Raphaelites were joined by William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner to form a seven-member "brotherhood". Its influence on many later British artists was extensive, and Rossetti’s work is now seen as a precursor of the wider European Symbolist movement. This book examines the group’s emergence, development, influence, and subsequent demise. About the Each book in TASCHEN's Basic Genre Series

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Pre-Raphaelites, Heather Birchall

Lingua
Pubblicato
2010
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Titolo
Pre-Raphaelites
Lingua
Inglese
Editore
Taschen
Pubblicato
2010
Formato
In brossura
Pagine
96
ISBN10
3822854867
ISBN13
9783822854860
Valutazione
4,2 su 5
Descrizione
"Genuine ideas to express" Sometimes considered the first avant-garde art movement, the Pre-Raphaelites rejected their era’s dominant artistic theories for what they saw as a more spiritual, naturalistic and intensely personal approach. Fascinated by the romantic aspects of medieval culture and the vivid, jewel-like colors of Quattrocento art, the movement abhored the Classical poses and composition of Raphael and those influenced by him—hence the group’s name—and the influence of Sir Joshua Reynolds. Founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti, the original Pre-Raphaelites were joined by William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner to form a seven-member "brotherhood". Its influence on many later British artists was extensive, and Rossetti’s work is now seen as a precursor of the wider European Symbolist movement. This book examines the group’s emergence, development, influence, and subsequent demise. About the Each book in TASCHEN's Basic Genre Series