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Focusing on animated propaganda from mainland China between the 1940s and 1970s, the book analyzes four puppet films to reveal the intricate relationship between animation and Maoist ideology. It explores how these films served as tools for political messaging, illustrating the dynamic interplay between artistic expression and state propaganda during this transformative period in Chinese history.
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Chinese Animated Film and Ideology, 1940s-1970s, Olga Bobrowska
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- 2022
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