Exploring themes of ecological loss and personal grief, this work blends poetry, memoir, and essay to create a rich narrative. The author intertwines his reflections on a plastic-choked ocean with a poignant story of childhood memories and the impact of his mother's death from cancer. Through innovative techniques of "self-erasure," the text invites readers into a multifaceted experience that delves into nonfiction, myth, and aesthetics, ultimately redefining the boundaries of poetry and its potential impact.
< > sono le parole di Antoine Leiris che il 17 novembre 2015 - all'indomani degli attentati di Parigi e della morte della moglie al Bataclan - Facebook ha diffuso nel mondo intero. Leiris, rimasto vedovo con un bimbo di diciassette mesi, prosegue in questo libro il < > di quei giorni. Le sue sono parole molto misurate - private e non politiche -, parole sobrie che travalicano l'evento in sé e che raccontano un lutto atroce, i mprovviso, il senso di perdita, il legame vitale con il figlio e i suoi timori per lui, lo smarrimento, il nuovo modo di dover guardare al mondo. È l'istantanea di un dolore, in questo sta la sua forza, quella di un uomo disarmato contro l'orrore (da qualsiasi parte provenga) eppure capace di ragionare e di esprimerlo
Estate 1975. Nola Kellergan, una ragazzina di 15 anni, scompare misteriosamente nella tranquilla cittadina di Aurora, New Hampshire. Le ricerche della polizia non danno alcun esito. Primavera 2008, New York. Marcus Goldman, giovane scrittore di successo, sta vivendo uno dei rischi del suo mestiere: è bloccato, non riesce a scrivere una sola riga del romanzo che da lì a poco dovrebbe consegnare al suo editore. Ma qualcosa di imprevisto accade nella sua vita: il suo amico e professore universitario Harry Ouebert, uno degli scrittori più stimati d'America, viene accusato di avere ucciso la giovane Nola Kellergan. Il cadavere della ragazza viene infatti ritrovato nel giardino della villa dello scrittore, a Goose Cove, poco fuori Aurora, sulle rive dell'oceano. Convinto dell'innocenza di Harry Ouebert, Marcus Goldman abbandona tutto e va nel New Hampshire per condurre la sua personale inchiesta. Marcus, dopo oltre trentanni deve dare risposta a una domanda: chi ha ucciso Nola Kellergan? E, naturalmente, deve scrivere un romanzo di grande successo
THE INTERNATIONAL BESTSELLER Two men have been enlisted to kill the head of the Gestapo. This is Operation Anthropoid, Prague, 1942- two Czechoslovakian parachutists sent on a daring mission by London to assassinate Reinhard Heydrich - chief of the Nazi secret services, 'the hangman of Prague', 'the blond beast', 'the most dangerous man in the Third Reich'. His boss is Heinrich Himmler but everyone in the SS says 'Himmler's brain is called Heydrich', which in German spells HHhH. HHhH is a panorama of the Third Reich told through the life of one outstandingly brutal man, a story of unbearable heroism and loyalty, revenge and betrayal. It is a moving and shattering work of fiction. Laurent Binet's highly anticipated new novel, The Seventh Function of Language, is available for pre-order now...
One of the most vivid, gripping and chilling first novels of recent years, The Republic of Trees tells the story of Michael, Louis, Alex and Isobel, four children on the edge of adolescence, who run away to the forest to establish their own utopian community. All seems well in the Republic of Trees - until the sudden arrival of Joy. Under her influence, their relationships grow more erotic and obsessive, and the shadows of a nightmarish dystopia start to encroach on reality . . .
*Soon to be an HBO series starring Nicole Kidman and Maya Erskine* She has the keys to their apartment. She knows everything. She has embedded herself so deeply in their lives that it now seems impossible to remove her. One of the 10 BEST BOOKS OF THE YEAR of The New York Times Book Review, by the author of Adèle, Sex and Lies, In the Country of Others, and Watch Us Dance “A great novel . . . Incredibly engaging and disturbing . . . Slimani has us in her thrall.” —Roxane Gay, New York Times bestselling author of Bad Feminist and Hunger “One of the most important books of the year. You can’t unread it.” —Barrie Hardymon, NPR’s Weekend Edition When Myriam decides to return to work as a lawyer after having children, she and her husband look for the perfect nanny for their son and daughter. They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family’s chic Paris apartment, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau. Building tension with every page, The Perfect Nanny is a compulsive, riveting, bravely observed exploration of power, class, race, domesticity, motherhood, and madness—and the American debut of an immensely talented writer.
Set against a backdrop of indoctrination and tragedy, this poignant narrative explores the enduring power of love. The story weaves together themes of resilience and hope, appealing to readers who appreciate deeply emotional tales reminiscent of the works of Amor Towles and Anthony Doerr. Through its rich character development and evocative prose, it captures the struggles and triumphs of individuals facing overwhelming circumstances.
In addition to the inclusion of some recent photographic works, this text documents Sam Taylor-Wood's work on "Third Party", which she realized with professional actors and Marianne Faithful.
In 1947 the International Circus Clowns’ Club began keeping a record of its member clowns’ make-up. Each unique make-up design was painted onto an emptied chicken egg that was catalogued and used to trademark the identities of clowns including the famous Coco and Grimaldi. Stan Bult, founder of the club, painstakingly painted the earliest designs by hand himself. Birth of a Clown is Sam Taylor-Johnson’s photographic documentation of these fascinating objects, now part of the Clowns’ Gallery and Museum in Somerset. Taylor-Johnson stumbled onto the museum by chance and has now preserved these eccentric portraits—sometimes hilarious, sometimes sad—in book form.
