Nicholson Baker Libri

I supplenti hanno vita difficile. L'ha sperimentato anche Nicholson Baker, saggista e romanziere americano che nel 2014 diventa supplente a chiamata in un distretto scolastico del Maine. Lo aspettano ventotto giorni di insegnamento e quasi mille bambini e ragazzi di tutte le età, dall'asilo alla scuola superiore. Baker sceglie di raccontare la sua esperienza non nella forma di un libro di teoria pedagogica né di cupa diagnosi sullo stato di salute del sistema scolastico, ma con un resoconto dettagliato della vita reale delle classi e di chi le popola. Baker restituisce così il senso vissuto di quanto possa essere indaffarato, complicato, strano e lungo un giorno di scuola, di quanti alti e bassi ci siano e di quanto la scuola possa essere estenuante - e talvolta divertente - tanto per gli insegnanti quanto per gli studenti.

From the author of the acclaimed Human Smoke comes a brilliantly funny and skillfully crafted new novel.

At a time when the West seems ever more eager to call on military aggression as a means of securing international peace, Nicholson Baker's provocative narrative exploring the political misjudgements and personal biases that gave birth to the terrifying consequences of the Second World War could not be more pertinent. With original and controversial insights brought about by meticulous research, Human Smokere-evaluates the political turning points that led up to war, challenging some of the treasured myths we hold about how war came about and how atrocities like the Holocaust were able to happen. Baker reminds us, for instance, not to forget that it was thanks in great part to Churchill and England that Mussolini ascended to power so quickly, and that, before leading the United States against Nazi Germany, a young FDR spent much of his time lobbying for a restriction in the number of Jews admitted to Harvard. Conversely, Human Smokealsoreminds us of those who had the foresight to anticipate the coming bloodshed and the courage to oppose the tide of history, as Gandhi demonstrated when he made his symbolic walk to the ocean. Praised by critics and readers alike for his gifted writing and exquisitely observant eye, Baker offers a combination of sweeping narrative history and a series of finely delineated vignettes of the individuals and moments that shaped history.

Our supreme fabulist of the ordinary now turns his attention on a 9-year-old American girl and produces a novel as enchantingly idiosyncratic as any he has written. Nory Winslow wants to be a dentist or a designer of pop-up books. She likes telling stories and inventing dolls. She has nightmares about teeth, which may explain her career choice. She is going to school in England, where she is mocked for her accent and her friendship with an unpopular girl, and she has made it through the year without crying.Nicholson Baker follows Nory as she interacts with her parents and peers, thinks about God and death-watch beetles, and dreams of cows with pointed teeth. In this precocious child he gives us a heroine as canny and as whimsical as Lewis Carroll's Alice and evokes childhood in all its luminous weirdness.

Delving into the often-overlooked realms of punctuation and the lexicography of adult content, the author combines sharp wit with a rich, elaborate writing style. This exploration serves as both a provocative and humorous tribute to the intricacies of language, highlighting how these neglected elements shape our communication and experiences. The book promises a unique perspective that intertwines curiosity with a celebration of linguistic quirks.

"Ten years into researching a book about the possibility that the United States had used biological weapons in the Korean War, Nicholson Baker was frustrated and disheartened. In the course of his research, he had become deeply disillusioned with the process of FOIA requests. He has been forced to wait years in some cases, while other requests have been answered only with documents rendered inscrutable, or even illegible, by copious redactions. Rather than wait forever, with his head full of secrets about government atrocities committed by his own country, Baker sets out to keep a personal journal of his obstructed research instead. He begins documenting his correspondence with the government administrators who are charged with responding to, and thus stymying, his requests. The result is one of the most original and daring works of nonfiction in recent memory, a singular and mesmerizing narrative into the history of some of the darkest and most shameful secrets of the CIA and US government--all willfully concealed to some degree despite the existence of the so-called Freedom of Information Act. In his preternaturally lucid and unassuming style, Baker unearths stories of CIA programs involving weaponized insects and the deliberate spread of Lyme disease; dangerous military experiments carried out on unsuspecting American citizens; and devastating chemical munitions designed to inflict terrible harm on innocent civilians in far-flung countries. At the same time, he shares beautiful anecdotes from his daily life in Maine feeding his dogs and watching the morning light gather on the horizon. The result is an astonishing and utterly disarming story about waiting, bureaucracy, the horrors of war, and, above all, the deadly secrets the United States government keeps from its citizens"-- Provided by publisher

Turns an ordinary ride up an office escalator into a meditation on our relations with familiar objects--shoelaces, straws, and more. Baker's debut novel, and a favorite amongst many of us here.

Paul Chowder is a poet, but he's fallen out of love with writing poems. He hasn't fallen out of love with his ex-girlfriend Roz, though. In fact he misses her desperately. As he struggles to come to terms with Roz's new relationship with a doctor, Paul turns to his acoustic guitar for comfort and inspiration, and fills his days writing protest songs, going to Quaker meetings, struggling through Planet Fitness workouts, wondering if he could become a techno DJ, and experimenting with becoming a cigar smoker.

Nicholson Baker's novels, The Mezzanine and Room Temperature, have been highly praised for their sparkling originality, deadpan humor, and eccentric style. Now, with U and I, Baker has written the most idiosyncratic and deftly illuminating essay on literary influence in recent memory, as he reveals his preoccupation with the work of John Updike.