Parametri
- 547pagine
- 20 ore di lettura
Maggiori informazioni sul libro
Elias Canetti's 1981 Nobel Prize was awarded mainly on the basis of this, his masterwork of philosophical anthropology about <i>la condition humaine</i> on an overpopulated planet. <p> Ranging from soccer crowds and political rallies to Bushmen and the pilgrimage to Mecca, Canetti exhaustively reviews the way crowds form, develop, and dissolve, using this taxonomy of mass movement as a key to the dynamics of social life. The style is abstract, erudite, and anecdotal, which makes <i>Crowds and Power</i> the sort of work that awes some readers with its profundity while irritating others with its elusiveness. Canetti loves to say something brilliant but counterintuitive, and then leave the reader to figure out both why he said it and whether it's really true. <i>--Richard Farr</i></p>
Acquisto del libro
Massa en macht, Elias Canetti
- Lingua
- Pubblicato
- 1995
- Rilegatura
- (In brossura)
Metodi di pagamento
Ancora nessuna valutazione.
- Titolo
- Massa en macht
- Autori
- Elias Canetti
- Pubblicato
- 1995
- Formato
- In brossura
- Pagine
- 547
- ISBN10
- 9025306322
- ISBN13
- 9789025306328
- Serie
- Categoria
- Tag
- Tema stórico, Temi psicologici, Tematica filosofica, Politica, Regali per il nonno, Società, Lotta per il potere, Totalitarismo, Antropologia sociale, Premio Josef Jungmann, Comportamento di Massa
- Descrizione
- Elias Canetti's 1981 Nobel Prize was awarded mainly on the basis of this, his masterwork of philosophical anthropology about <i>la condition humaine</i> on an overpopulated planet. <p> Ranging from soccer crowds and political rallies to Bushmen and the pilgrimage to Mecca, Canetti exhaustively reviews the way crowds form, develop, and dissolve, using this taxonomy of mass movement as a key to the dynamics of social life. The style is abstract, erudite, and anecdotal, which makes <i>Crowds and Power</i> the sort of work that awes some readers with its profundity while irritating others with its elusiveness. Canetti loves to say something brilliant but counterintuitive, and then leave the reader to figure out both why he said it and whether it's really true. <i>--Richard Farr</i></p>